\begin{figure}[htpb]
\centering
- \includegraphics[width=0.2\linewidth]{images/patchbay01.png}
+ \includegraphics[width=0.3\linewidth]{images/patchbay01.png}
\caption{Patchbay}
\label{fig:patchbay01}
\end{figure}
\paragraph{Split --- blade cut and hard edges:} You can cut the tracks into 2 pieces on the timeline by putting the hairline cursor on the place you want to do a cut and then using the character “x” or the scissors tool (figure~\ref{fig:cut}).
-\begin{wrapfigure}{r}{0.4\textwidth}
+\begin{wrapfloat}{figure}{O}{0pt}
\centering
- \includegraphics[width=0.7\linewidth]{images/cut.png}
+ \includegraphics[width=0.3\linewidth]{images/cut.png}
\caption{Blade cut}
\label{fig:cut}
-\end{wrapfigure}
+\end{wrapfloat}
A \textit{cut} uses a non-empty selection region, where the \textit{blade cut} or \textit{split} has no duration in the selection, just a hairline. As usual the use of cut when a selection is set, deletes/cuts the highlighted area. In the case where an In point or an Out point exists on the timeline, the clip is split at the location of the In/Out point since it has priority over the cursor location. A blade cut simply splits the edit into two edits. In order to have the video and audio aligned, it works best to have Settings $\rightarrow$ Align cursor on frames. When a blade cut occurs, the edges are created as \textit{hard edges}. These are edges that cannot be deleted by track optimizations.
Cinelerra has built-in optimization on the timeline. So that whenever two parts on the timeline are sequential frames, it automatically optimizes by making them into 1 item. So if you are cutting, dragging, editing, or whatever and somehow frame \# 40 ends up right next to frame \# 41, it optimizes them together. This optimization affects many areas throughout the program code.
\paragraph{Cutting/Snapping edits} cuts from an edit handle to the insert point.
There are Edit Panel buttons which normally are used to move to the previous or next edit handle/label.
-\begin{wrapfigure}[10]{r}{0.5\textwidth}
+\begin{wrapfloat}{figure}{r}{0pt}
\centering
- \includegraphics[width=0.6\linewidth]{images/snap.png}
-\end{wrapfigure}
+ \includegraphics[width=0.2\linewidth]{images/snap.png}
+\end{wrapfloat}
They look like tags and the letter E on the menu bar and are oriented forward/backward. These same buttons can be used to \textit{cut} from the insert pointer to the previous or next edit/label when the \texttt{ctrl+alt} keys are both pressed when the buttons are used. They \textit{snap} off the media instead of doing the standard re-positioning. This is useful to minimize the number of operations necessary to cut between edits/labels.
Instead of using the edit panel buttons, you can more easily use the following keyboard shortcuts to perform the same functions:
\subsection{Shuttle key default arrangement for Cinelerra / Composer / Viewer:}%
\label{sub:shuttle_key_default_cinelerra}
-The following is the default setting for the ShuttlePROv2 and ShuttleXpress (table~\ref{tab:shuttleprov2} and table 2):
+The following is the default setting for the ShuttlePROv2 and ShuttleXpress (table~\ref{tab:shuttleprov2} and table~\ref{tab:xpress}):
-\begin{sidewaystable}
- \caption{ShuttlePROv2 key default arrangement for Cinelerra / Composer / Viewer}
- \label{tab:shuttleprov2}
- \centering
- \begin{tabular}{c c c c c c c c}
- \toprule
- & K1 & & K2 & & K3 & & K4 \\
- & Label & & Future use & & Future use & & Clip \\
- & & & Splice (viewer) & & Copy & & Overwrite (viewer) \\
- \midrule
+%\begin{sidewaystable}
+% \centering
+% \begin{tabular}{c c c c c c c c}
+% \toprule
+% & K1 & & K2 & & K3 & & K4 \\
+% & Label & & Future use & & Future use & & Clip \\
+% & & & Splice (viewer) & & Copy & & Overwrite (viewer) \\
+% \midrule
- \end{tabular}
-\end{sidewaystable}
+% \caption{ShuttlePROv2 key default arrangement for Cinelerra / Composer / Viewer}
+% \label{tab:shuttleprov2}
+% \end{tabular}
+
+%\end{sidewaystable}