From: Good Guy Date: Sat, 14 Mar 2020 03:08:15 +0000 (-0600) Subject: Olaf changes + a couple of rewordings X-Git-Tag: 2021-05~112 X-Git-Url: https://cinelerra-gg.org/git/?a=commitdiff_plain;h=9d3f047517bbc123a83caa720d0bb02dd1e14a7d;p=goodguy%2Fcin-manual-latex.git Olaf changes + a couple of rewordings --- diff --git a/CinelerraGG_Manual.tex b/CinelerraGG_Manual.tex index 202c437..e709db3 100644 --- a/CinelerraGG_Manual.tex +++ b/CinelerraGG_Manual.tex @@ -1,10 +1,9 @@ -% \documentclass[ a4paper, -14pt, +12pt, oneside, -openright, -svgnames +svgnames, +%draft ]{memoir} % paper size, font size and other options for document \input{common/packages.tex} % common packages @@ -69,6 +68,11 @@ svgnames \listoffigures \newpage -\listoftodos +% \listoftodos \end{document} + +%%% Local Variables: +%%% mode: latex +%%% TeX-master: t +%%% End: diff --git a/common/packages.tex b/common/packages.tex index f9b5eb2..fcf4bd7 100644 --- a/common/packages.tex +++ b/common/packages.tex @@ -1,6 +1,8 @@ -% +% Packages - The programs texdoc and texdoctk (GUI for texdoc) offer +% help for the packages. + \usepackage{cmap} -\usepackage[T2A]{fontenc} % T2A (Cyrillic) and T1 are only identical +\usepackage[T1]{fontenc} % T2A (Cyrillic) and T1 are only identical % in the first 128 positions. This is an % English language document. \usepackage[utf8]{inputenc} % file encoding @@ -23,13 +25,19 @@ enumerate, float, textcomp -} % some packages +} + +% Customization of captions in floating environments \usepackage[font={small},textfont=it]{caption} + \usepackage{hhline} % beautiful links \PassOptionsToPackage{hyphens}{url} \usepackage{hyperref} % beautiful links + \usepackage{pdflscape} % landscape pages \usepackage{longtable} % longtable support +\usepackage{calc} % in conjunction with longtable + \usepackage{multirow} % vertical cell in table \usepackage{bigstrut} % big strut \usepackage{array} % additional cell aligh @@ -43,81 +51,63 @@ %\let\oldtabular\tabular %\renewcommand{\tabular}{\small\oldtabular} -\hypersetup{colorlinks=true, - linkcolor=blue, - citecolor=blue, - filecolor=blue, - urlcolor=blue, - pdftitle={Cinelerra-GG Infinity Manual}, - pdfauthor={Cinelerra Authors}, - pdfsubject={Video Editing}, - pdfkeywords={Cinelerra, Good Guy} -} % pdf properties \usepackage[pdftex]{graphicx} % do we need some figures in our pdf \graphicspath{{images/}} % path to images \usepackage{tikz} % drawing package \usepackage{nameref} % use \nameref{} to set reference to chapter neme. - +\usepackage{geometry} % page geometry %---------------------------------------------------------------------- \usepackage{listings} % include code -\lstset{ % begin settings - %language=R, % the language of the code - inputencoding=utf8, - basicstyle=\ttfamily\footnotesize, % the size of the fonts that are used for the code - numbers=left, % where to put the line-numbers - numberstyle=\tiny\color{black}, % the style that is used for the line-numbers - stepnumber=1, % the step between two line-numbers. If it's 1, each line - % will be numbered - numbersep=5pt, % how far the line-numbers are from the code - %backgroundcolor=\color{white}, % choose the background color. You must add \usepackage{color} - showspaces=false, % show spaces adding particular underscores - showstringspaces=false, % underline spaces within strings - showtabs=false, % show tabs within strings adding particular underscores - frame=lines, % adds a frame around the code - %frame=single, % adds a frame around the code - rulecolor=\color{black}, % if not set, the frame-color may be changed on line-breaks within not-black text (e.g. commens (green here)) - tabsize=2, % sets default tabsize to 2 spaces - captionpos=b, % sets the caption-position to bottom - breaklines=true, % sets automatic line breaking - breakatwhitespace=false, % sets if automatic breaks should only happen at whitespace - title=\lstname, % show the filename of files included with \lstinputlisting; - % also try caption instead of title - keywordstyle=\color{blue}, % keyword style - commentstyle=\color{gray}, % comment style - stringstyle=\color{black}, % string literal style - %backgroundcolor=\color{green!10}, - escapeinside={\%*}{*)}, % if you want to add a comment within your code - extendedchars=true, - %keepspaces = true %!!!! spaces in comments - texcl=true, - postbreak=\mbox{\textcolor{red}{$\hookrightarrow$}\space}, - morekeywords={*,...} % if you want to add more keywords to the set -} %--------------------------------------------------------------------------- \makeatletter \renewcommand{\@biblabel}[1]{#1.} %--------------------------------------------------------------- % -\usetikzlibrary{ % Libraries for TiKz +\usetikzlibrary{% Libraries for TiKz positioning, arrows, shapes, shadows } -\usepackage{wrapfig} % Wrapping figures +\usepackage{wrapfig} % Wrapping figures +\usepackage{enumitem} % custom lists -\usepackage{enumitem} % custom lists - -\usepackage[colorinlistoftodos,textsize=tiny]{todonotes} % todo package -\setlength{\marginparwidth}{2.0cm} % fix left margin for todo +% Todo package - Inserts a list of shame at the end of the +% document. This way you can show your readers that you +% have identified the problem, but don't feel like fixing it at the +% moment. Use the general FIXME as a invisible comment instead. +% \usepackage[colorinlistoftodos,textsize=tiny]{todonotes} +% \setlength{\marginparwidth}{2.0cm} % fix left margin for todo \usepackage{scrextend} \usepackage{enumitem} %\usepackage{ifthen} %\usepackage{tocvsec2} -\usepackage[intoc]{nomencl} % glossary package -\makenomenclature % make glossary +\usepackage[intoc]{nomencl} % glossary package +\makenomenclature % make glossary +% eso-pic makes it easy to add some picture commands to every page +% at absolute positions: \usepackage{eso-pic} -\usepackage{calc} % in conjunction with longtable -%\input{common/settings.tex} +% For easier alignment of graphics: +% \usepackage{subfig} + +% The corporate typeface. So far this is the charter, see above. The +% charter has a pleasant typeface and continuous text is easy to +% understand. When designing the graphics, the font used there +% should roughly match. Suggestion: Myriad Pro 11pt, +% 90% black or a similar neutral but well readable Sans Serif. + +% Playground +% \usepackage[sfdefault]{noto} +% \usepackage{AlegreyaSans} +% \usepackage{Alegreya} +% \usepackage{lmodern} +% Switch to sans serif (usually these do not contain SC): +% \renewcommand*\familydefault{\sfdefault} + + +%%% Local Variables: +%%% mode: latex +%%% TeX-master: "../CinelerraGG_Manual" +%%% End: diff --git a/common/settings.tex b/common/settings.tex index fa92732..62f9dc0 100644 --- a/common/settings.tex +++ b/common/settings.tex @@ -1,34 +1,130 @@ -%\usepackage[sfdefault]{noto} +% FIXME Settings +% - Page numbers always on the right, matching the chapter +% number. Possibly coloring. +% - Improve header, remove the line, because with the listings also +% come lines and when they meet it looks bad. Set italics and +% color if necessary. +% - But be careful, too much ink can quickly have a negative +% effect. + +% FIXME Text +% - Change all tables to variable dimensions. -> use draft +% - (Remove all leading \$ characters from the shell +% examples. Alternative: invalidate according to TeX rules, so that +% other editors do not consider this an error. Do not automate, this +% must be adjusted manually.) +% - Done. Remove "images/" from the path of includegraphics, the +% "graphicspath" is already set. + + +% The Settings + +% In loose reference to the theme CW. +\definecolor{CinBlueText}{RGB}{23,85,142}% "Dark blue" +\definecolor{CinBlue}{RGB}{35,134,220}% "Light blue" +\definecolor{CinRed}{RGB}{205,38,11}% "negativ" +\definecolor{CinOrange}{RGB}{250,125,0}% "neutral" +\definecolor{CinGreen}{RGB}{39,174,96}% "positiv" +\definecolor{CinSilver}{RGB}{127,140,141}% +\definecolor{CinWhite}{RGB}{239,240,241}% + +% Original +% \definecolor{chaptercolour}{RGB}{23,85,142} +% \definecolor{sectioncolour}{RGB}{23,85,142} +% \definecolor{subsectioncolour}{RGB}{23,85,142} +% \definecolor{subsubsectioncolour}{RGB}{23,85,142} + +\makechapterstyle{morrow}{% requires graphicx package + \chapterstyle{default} + \renewcommand*{\chapnamefont}{% + \normalfont\Large\scshape\raggedleft\color{CinBlueText}} + \renewcommand*{\chapnumfont}{% + \normalfont\Large\bfseries\sffamily\color{CinBlueText}} + \renewcommand*{\printchapternum}{% + \chapnumfont \resizebox{!}{3ex}{\thechapter}} + \renewcommand*{\afterchapternum}{% FIXME vskip? + \par\hspace{1.5cm}\hrule\vskip\midchapskip} + \renewcommand*{\chaptitlefont}{% Overwrites toc + \normalfont\Huge\bfseries\sffamily\raggedleft\color{CinBlueText}} +} + +\addtodef{\printpartname}{\color{CinBlueText}}{}% Part +\addtodef{\printchaptername}{\color{CinBlueText}}{}% Chapter +\setsecheadstyle{\Large\bfseries\color{CinBlueText}}% Section +\setsubsecheadstyle{\large\bfseries\color{CinBlueText}}% SubSection +\setsubsubsecheadstyle{\normalfont\bfseries\color{CinBlueText}}% SubSubSection +\setparaheadstyle{\normalfont\bfseries\color{CinBlueText}}% Paragraph +\setsubparaheadstyle{\normalfont\bfseries\color{CinBlueText}}% SubParagraph + +% Table of contents +\addtodef{\tocheadstart}{\color{CinBlueText}}{} % If you want the whole TOC to be blue also +%\addtoiargdef{\printtoctitle}{\color{CinBlueText}}{} % If you just want the TOC title blue + +% PDF properties +\hypersetup{colorlinks=true, + linkcolor=[named]{CinBlueText}, + citecolor=[named]{CinBlueText}, + filecolor=[named]{CinBlueText}, + urlcolor=[named]{CinBlueText}, + bookmarksnumbered=true, + pdftitle={The Comprehensive User Manual}, + pdfauthor={The Cinelerra-GG Community}, + pdfsubject={Video Editing}, + pdfkeywords={Cinelerra-GG, CGG, Cin5, Infinity, User Manual, Video + editing system, Video editing program} +} + +% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +% Package listings +\lstset{ % begin settings + %language=R, % the language of the code + inputencoding=utf8, + basicstyle=\ttfamily\footnotesize,% the size of the fonts that are used for the code + numbers=left, % where to put the line-numbers + numberstyle=\tiny\color{black}, % the style that is used for the line-numbers + stepnumber=1, % the step between two line-numbers. If it's 1, each line + % will be numbered + numbersep=5pt, % how far the line-numbers are from the code + %backgroundcolor=\color{white}, % choose the background color. You must add \usepackage{color} + showspaces=false, % show spaces adding particular underscores + showstringspaces=false, % underline spaces within strings + showtabs=false, % show tabs within strings adding particular underscores + frame=lines, % adds a frame around the code + %frame=single, % adds a frame around the code + rulecolor=\color{CinSilver}, % if not set, the frame-color + % may be changed on line-breaks + % within not-black text + % (e.g. commens (green here)). + tabsize=2, % sets default tabsize to 2 spaces + captionpos=b, % sets the caption-position to bottom + breaklines=true, % sets automatic line breaking + breakatwhitespace=false, % sets if automatic breaks should only happen at whitespace + title=\lstname, % show the filename of files included with \lstinputlisting; + % also try caption instead of title + keywordstyle=\color{CinGreen}, % keyword style + commentstyle=\color{gray}, % comment style + stringstyle=\color{black}, % string literal style + %backgroundcolor=\color{green!10}, + escapeinside={\%*}{*)},% FIXME? % if you want to add a comment within your code + extendedchars=true, + %keepspaces = true %!!!! spaces in comments + texcl=true, + postbreak=\mbox{\textcolor{CinSilver}{$\hookrightarrow$}\space}, + % morekeywords={*,...}% FIXME % if you want to add more keywords to the set +} + + %====================== Page geometry -\usepackage{geometry} % page geometry -\geometry{left=2.0cm} -\geometry{right=2.0cm} -\geometry{top=2.0cm} -\geometry{bottom=2.0cm} +% \geometry{left=2.0cm} +% \geometry{right=2.0cm} +% \geometry{top=2.0cm} +% \geometry{bottom=2.0cm} + \parindent=0.0cm % first indent in section \righthyphenmin=2 % hyphen last charecter - \setsecnumdepth{subsubsection} % section numeration depth -% Redefine Chapters and Sections -% https://tex.stackexchange.com/questions/476735/change-chapter-and-section-color-memoir-class -\usepackage{xcolor} -% define colors -\definecolor{chaptercolour}{RGB}{23,85,142} -\definecolor{sectioncolour}{RGB}{23,85,142} -\definecolor{subsectioncolour}{RGB}{23,85,142} -%\definecolor{subsubsectioncolour}{RGB}{23,85,142} - -\definecolor{CinBlueText}{RGB}{23,85,142} -% \definecolor{CinBlue}{RGB}{35,134,220} -\definecolor{CinRed}{RGB}{205,38,11} -% \definecolor{CinOrange}{RGB}{250,125,0} -% \definecolor{CinGreen}{RGB}{205,38,11} - -\setparaheadstyle{\Large\bfseries\color{sectioncolour}}% -\setsecheadstyle{\Large\bfseries\color{sectioncolour}}% Set \section style -\setsubsecheadstyle{\large\bfseries\color{subsectioncolour}}% Set \subsection style - %\pagestyle{plain} %\pagenumbering{roman} %\renewcommand{\chapterheadstart}{ @@ -46,36 +142,32 @@ %\afterchapskip} %} %\chapterstyle{madsen} % one of chapter header style for memoir documentclass -\makechapterstyle{morrow}{% requires graphicx package - \chapterstyle{default}% - \renewcommand*{\chapnamefont}{% - \normalfont\Large\scshape\raggedleft}% - \renewcommand*{\chapnumfont}{% - \normalfont\Large\bfseries\sffamily}% - \renewcommand*{\printchapternum}{% - \chapnumfont \resizebox{!}{3ex}{\thechapter}% - }% - \renewcommand*{\chaptitlefont}{% - \normalfont\Huge\bfseries\sffamily\raggedleft}% - \renewcommand*{\afterchapternum}{% - \par\hspace{1.5cm}\hrule\vskip\midchapskip}% -}% - \chapterstyle{morrow} % one of chapter header style for memoir documentclass -%\renewcommand{\printchaptername}{\normalfont\large\scshape Chapter} +% \renewcommand{\printchaptername}{\normalfont\large\scshape Chapter} \renewcommand{\chapterheadstart}{} %\renewcommand{\beforechapskip}{\vspace{2pt}} -%\renewcommand{\@pnumwidth}{3em} % memoir class, more space between chapter number and text. +%\renewcommand{\@pnumwidth}{3em} % memoir class, more space between chapter number and text. \setlength{\cftfigurenumwidth}{4em} % memoir class, more space between figure number and text. -\renewcommand{\nomname}{Glossary} % glossary name - +\renewcommand{\nomname}{Glossary} % glossary name -% Define the Cinnelerr-GG wordmark - a rough draft that can be +% Define the Cinnelerra-GG wordmark - a rough draft that can be % adapted at any time. To be used in the text with \CGG{} % or % \CGGI{} \def\GG{\textsc{G\kern-0.1em G}} \def\CGG{\textsc{Cinelerra-\GG}} \def\INF{\textsc{Infinity}} \def\CGGI{\CGG\;\INF} + +% Hyphenation for unknown words and technical terms +\hyphenation{ + plug-ins + ex-pan-ders +} + + +%%% Local Variables: +%%% mode: latex +%%% TeX-master: "../CinelerraGG_Manual" +%%% End: diff --git a/common/title.tex b/common/title.tex index 46d5090..2092ad7 100644 --- a/common/title.tex +++ b/common/title.tex @@ -17,7 +17,6 @@ % Place the title over the "black hole". % The position must be set appropriately. \vspace*{14.5cm} -\definecolor{CinBlue}{RGB}{35,134,220} \begin{minipage}[t]{80mm} \textcolor{CinBlue}{\textsf{\Huge{The Comprehensive}}}\\[1em] \textcolor{CinBlue}{\textsf{\Huge{\textbf{User Manual}}}} @@ -69,3 +68,8 @@ User Manual}}\par \titleLL % use cutom title + +%%% Local Variables: +%%% mode: latex +%%% TeX-master: "../CinelerraGG_Manual" +%%% End: diff --git a/parts/Attributes.tex b/parts/Attributes.tex index 94fe5da..51b84d7 100644 --- a/parts/Attributes.tex +++ b/parts/Attributes.tex @@ -14,7 +14,7 @@ But every timeline created from this point uses the same settings. \begin{figure}[htpb] \centering - \includegraphics[width=0.5\linewidth]{images/set-format.png} + \includegraphics[width=0.5\linewidth]{set-format.png} \caption{Set Format window - note the Audio Channel positions} \label{fig:set-format} \end{figure} @@ -32,7 +32,7 @@ Mostly notably is the field for a directory path and a Project Name. \begin{figure}[htpb] \centering - \includegraphics[width=0.5\linewidth]{images/new-project.png} + \includegraphics[width=0.5\linewidth]{new-project.png} \caption{New Project dialog window} \label{fig:new-project} \end{figure} diff --git a/parts/AuxilaryPrograms.tex b/parts/AuxilaryPrograms.tex index 963efc8..233f6aa 100644 --- a/parts/AuxilaryPrograms.tex +++ b/parts/AuxilaryPrograms.tex @@ -4,36 +4,61 @@ \section{Using Ydiff to check results} \label{sec:ydiff_check_results} -Delivered with Infinity \CGG{} and in the \CGG{} path, there is a file \texttt{ydiff.C} This program compares the output from 2 files to see the differences . Do: \texttt{cd cin\_path} and key in \texttt{make ydiff}. - -You can now use this to check the quality differences of various outputs. \ For example, in this same directory key in: - -\hspace{2em}\texttt{./ydiff /tmp/yourfile.mp4 /tmp/yourfile.mp4} +Delivered with Infinity \CGG{} and in the \CGG{} path, there is a file \texttt{ydiff.C} This program compares the output from 2 files to see the differences . Do: \texttt{cd cin\_path} and key in \texttt{make ydiff}. + +% The following does not work like this. +% { % uses braces to localize caption alignment changes. +% \begin{figure}[h] +% \captionsetup{justification=raggedright,singlelinecheck=false} +% \includegraphics[width=0.4\linewidth]{ydiff_same.png} +% \caption{Exact match} +% \vspace{-9cm} +% \hspace{0.4\linewidth} +% \captionsetup{justification=raggedleft,singlelinecheck=false} +% \includegraphics[width=0.4\linewidth]{ydiff_change.png} +% \caption{"giraffe" artifacts on 2 files spaced differently} +% \end{figure} +% } + +% We pack two pictures of unequal height next to each other and +% align them flush at +% a) the first line of the caption. +% b) or tricks with strut, it's flush at the top. +\begin{figure}[h] + \begin{minipage}[t]{0.49\textwidth} + \strut\\[-1em] + \includegraphics[width=\linewidth]{ydiff_same.png} + \caption{Exact match} + \end{minipage} + \hfill + \begin{minipage}[t]{0.49\textwidth} + \strut\\[-1em] + \includegraphics[width=\linewidth]{ydiff_change.png} + \caption{"Giraffe" artifacts on 2 files spaced differently} + \end{minipage} +\end{figure} -Since you are comparing a file to itself, you will see a clean looking white window in the left-hand corner and columns 2,3,4 will be all zeros. \ Run this same command with a 3rd spacing parameter of {}-1 as shown below, and you will see artifacts of comparing 2 files starting in a different position. +You can now use this to check the quality differences of various +outputs. For example, in this same directory key in: +% The indentation of an environment matches the type area. +\begin{list}{}{} +\item \texttt{./ydiff /tmp/yourfile.mp4 /tmp/yourfile.mp4} +\end{list} +%\hspace{2em}\texttt{./ydiff /tmp/yourfile.mp4 /tmp/yourfile.mp4} -\hspace{2em}\texttt{./ydiff /tmp/yourfile.mp4 /tmp/yourfile.mp4 -1} +Since you are comparing a file to itself, you will see a clean looking white window in the left-hand corner and columns 2,3,4 will be all zeros. Run this same command with a 3rd spacing parameter of {}-1 as shown below, and you will see artifacts of comparing 2 files starting in a different position. +\begin{list}{}{} +\item \texttt{./ydiff /tmp/yourfile.mp4 /tmp/yourfile.mp4 -1} +\end{list} +% \hspace{2em}\texttt{./ydiff /tmp/yourfile.mp4 /tmp/yourfile.mp4 -1} Now render yourfile using different quality levels and run ydiff to compare the 2 results. You will see only noise difference which accounts for the quality level. Columns 2,3,4 might no longer be exactly zero but will represent only noise differences. The ydiff output is debug data with lines that show frame size in bytes, sum of error, and sum of absolute value of error. The frames size is sort of useless, the sum of error shows frame gray point drift and the abs error is the total linear color error between the images. At the very end is the total gray point drift and total absolute error on the last line. -{ % uses braces to localize caption alignment changes. -\begin{figure} - \captionsetup{justification=raggedright,singlelinecheck=false} - \includegraphics[width=0.4\linewidth]{ydiff_same.png} - \caption{Exact match} - \vspace{-9cm} - \hspace{0.4\linewidth} - \captionsetup{justification=raggedleft,singlelinecheck=false} - \includegraphics[width=0.4\linewidth]{ydiff_change.png} - \caption{"giraffe" artifacts on 2 files spaced differently} -\end{figure} -} \section{Image Sequence Creation} \label{sec:image_sequence_creation} Example script to create a jpeglist sequence file is next: - \begin{lstlisting}[numbers=none] #!/bin/bash out="$1" @@ -53,24 +78,39 @@ echo "# Height:" echo "$h" echo "# List of image files follows" while [ $# -gt 0 ]; do -if [ x`dirname "$1"` = x"$dir" ]; then f=./`basename "$1"`; else f="$1"; fi -echo "$f" -shift + if [ x`dirname "$1"` = x"$dir" ]; then + f=./`basename "$1"`; + else + f="$1"; + fi + echo "$f" + shift done \end{lstlisting} - Example usage of this script follows: \qquad \texttt{jpeglist.sh outfile infiles*.jpg} -\section{Webm / Vp9 Usage and Example File\protect\footnote{credit Frederic Roenitz}} +\section{Webm\,/\,Vp9 Usage and Example File} \label{sec:webm/vp9_usage_example} +% FIXME No footnotes with expressions of thanks in the title. +% \protect\footnote{credit Frederic Roenitz}} -There are some common VP9 rendering options files that support creation of video for YouTube, Dailymotion, and other online video services. Webm / VP9 is a media file format which is free to use under the BSD license and is open-source; thus there are no licensing issues to be concerned about. The Webm container is based on Matroska for video and Opus for audio. +\textsc{VP9} is a video codec licensed under the BSD license and is +considered open source, +% Sisvel Announces AV1 Patent Pool, March 10, 2020 +% https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=139636 +% Webm / VP9 is a media file format which is free to use under the +% BSD license and is open-source; thus there are no licensing +% issues to be concerned about. +the \textsc{Webm} container is based on \textsc{Matroska} for video +and \textsc{Opus} for audio. There are some common \textsc{VP9} rendering +options files that support creation of video for YouTube, +Dailymotion, and other online video services. -Youtube easy startup steps are documented in the Appendix (\ref{sec:youtube_with_cinelerra}). These same steps have been verified to work for creating Dailymotion videos -- however, the created files must be renamed before uploading to change the youtube extension to webm instead for Dailymotion. +YouTube easy startup steps are documented in the Appendix (\ref{sec:youtube_with_cinelerra}). These same steps have been verified to work for creating Dailymotion videos -- however, the created files must be renamed before uploading to change the youtube extension to webm instead for Dailymotion. -Below is one of the VP9 rendering options file with documentation for specifics: +Below is one of the \textsc{VP9} rendering options file with documentation for specifics: \textbf{webm libvpx-vp9} @@ -82,7 +122,7 @@ from {\small \url{https://developers.google.com/media/vp9/settings/vod/}} Bitrate (bit rate) -VP9 supports several different bitrate modes: +\textsc{VP9} supports several different bitrate modes: \textit{mode:} @@ -152,3 +192,8 @@ The following extensions of files in \CGG{}'s \texttt{.bcast5} directory are exp \item [.png] thumbnails of files in Resources so they do not have to be created over and over \end{labeling} + +%%% Local Variables: +%%% mode: latex +%%% TeX-master: "../CinelerraGG_Manual" +%%% End: diff --git a/parts/Configuration.tex b/parts/Configuration.tex index badca87..e7721f7 100644 --- a/parts/Configuration.tex +++ b/parts/Configuration.tex @@ -3,7 +3,7 @@ \label{cha:configuration_settings_preferences} \begin{figure}[htpb] - \centering \includegraphics[width=0.9\linewidth]{images/settings.png} + \centering \includegraphics[width=0.9\linewidth]{settings.png} \caption{Settings of default Preferences with the Appearance tab selected} \label{fig:settings} \end{figure} @@ -202,7 +202,15 @@ In the Render Farm Section are many options that are explained in detail in the \end{description} \subsection{Index Files section}% + \label{sub:index_file_section} +Screencast below shows part of the Preferences menu where you can change the index files setup (figure~\ref{fig:index}). +\begin{figure}[htpb] + \centering + \includegraphics[width=0.8\linewidth]{images/index.png} + \caption{Index file setup for your preferred configuration for Render Farm sharing or anything} + \label{fig:index} +\end{figure} \begin{description} \item[Index files go here] index files exist in order to speed up drawing the audio/video tracks. This option determines where index files are placed on the disk. @@ -240,7 +248,7 @@ In the Render Farm Section are many options that are explained in detail in the \begin{figure}[htpb] - \centering \includegraphics[width=0.9\linewidth]{images/theme.png} + \centering \includegraphics[width=0.9\linewidth]{theme.png} \caption{Shows the Cakewalk theme (courtesy Olaf )on Preferences window with list of themes} \label{fig:theme} \end{figure} @@ -317,7 +325,7 @@ This section contains many useful options to cater to the various preferences of \item[Autocolor assets] to make it visually easier to see your clips on the timeline that are from the same media file, you can have them automatically colored. Use of this feature requires additional memory and cpu on every timeline redraw, therefore smaller computers may not want this checked on. \item[ffmpeg probe warns rebuild indexes] this warning is very important for switching from using ffmpeg to using native formats, such as in the case of MPEG, so that you are reminded to \textit{rebuild indexes}. If you do not rebuild the indexes, seeking on the timeline back and forth could very well be problematic, meaning it might not go to the right place. Notification about rebuilding the indexes will appear by default as shown in the figure~\ref{fig:ff_probe} when you click on the FF icon in the main timeline in the upper right hand corner. Once you click on \textit{Don’t show this warning again} you will no longer be warned and this flag will no longer be enabled. \begin{figure}[htpb] - \centering \includegraphics[width=0.7\linewidth]{images/ff_probe.png} + \centering \includegraphics[width=0.7\linewidth]{ff_probe.png} \caption{Default warning when you click on FF icon in main window} \label{fig:ff_probe} \end{figure} diff --git a/parts/DVD.tex b/parts/DVD.tex index 1960b57..bcca896 100644 --- a/parts/DVD.tex +++ b/parts/DVD.tex @@ -20,7 +20,7 @@ Figure~\ref{fig:preset01} shows pulldown \textit{Presets} in \textit{Set Format} \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/preset01.png} + \includegraphics[width=0.7\linewidth]{preset01.png} \caption{When choose PAL, values get changed in window to reflect PAL} \label{fig:preset01} \end{figure} @@ -92,10 +92,10 @@ Immediately below are the detailed steps with explanations for creating SD or BD \begin{figure}[htpb] \centering \begin{minipage}[h]{0.49\linewidth} - \center{\includegraphics[width=0.99\linewidth]{images/bluray01.png}} \\ BluRay (scale pulldown) + \center{\includegraphics[width=0.99\linewidth]{bluray01.png}} \\ BluRay (scale pulldown) \end{minipage} \begin{minipage}[h]{0.49\linewidth} - \center{\includegraphics[width=0.99\linewidth]{images/dvd01.png}} \\ DVD (format pulldown) + \center{\includegraphics[width=0.99\linewidth]{dvd01.png}} \\ DVD (format pulldown) \end{minipage} \caption{BD Render and DVD Render} \label{fig:bluray_dvd} @@ -133,7 +133,7 @@ Explanation of the choice boxes as seen in figure~\ref{fig:bluray_dvd} for both \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/dvd02.png} + \includegraphics[width=1.0\linewidth]{dvd02.png} \caption{check Deinterlace; Histogram and Resize Tracks} \label{fig:dvd02} \end{figure} @@ -171,7 +171,7 @@ Figure~\ref{fig:dvd-batch01} for DVD and Figure~\ref{fig:dvd-batch02} for BD sho \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/dvd-batch01.png} + \includegraphics[width=0.9\linewidth]{dvd-batch01.png} \caption{Batch render for DVD creation} \label{fig:dvd-batch01} \end{figure} @@ -179,7 +179,7 @@ Figure~\ref{fig:dvd-batch01} for DVD and Figure~\ref{fig:dvd-batch02} for BD sho % \vspace{-4ex} \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/dvd-batch02.png} + \includegraphics[width=0.8\linewidth]{dvd-batch02.png} \caption{Batch render for BD creation} \label{fig:dvd-batch02} \end{figure} @@ -249,7 +249,7 @@ Figure~\ref{fig:dvd-batch03} shows the availability of 4:2 :2 for a Batch Render \begin{figure}[htpb] \centering - \includegraphics[width=0.99\linewidth]{images/dvd-batch03.png} + \includegraphics[width=0.99\linewidth]{dvd-batch03.png} \caption{Video options for bluray yuv422p} \label{fig:dvd-batch03} \end{figure} @@ -258,7 +258,7 @@ Figure~\ref{fig:dvd-batch04} shows the availability of 10-bit high quality 4:2 : \begin{figure}[htpb] \centering - \includegraphics[width=0.99\linewidth]{images/dvd-batch04.png} + \includegraphics[width=0.99\linewidth]{dvd-batch04.png} \caption{Video options for bluray yuv422p10} \label{fig:dvd-batch04} \end{figure} @@ -472,7 +472,7 @@ Figure~\ref{fig:subtitle01} shows the Subtitle window you will see. \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/subtitle01.png} + \includegraphics[width=0.8\linewidth]{subtitle01.png} \caption{Subtitle window} \label{fig:subtitle01} \end{figure} @@ -493,7 +493,7 @@ When you are finished, before clicking \textit{Save}, you must supply a legitima \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/subtitle02.png} + \includegraphics[width=0.9\linewidth]{subtitle02.png} \caption{Subtitles on timeline} \label{fig:subtitle02} \end{figure} @@ -643,7 +643,7 @@ Figure~\ref{fig:dvd-title} demonstrates an example of setting up a Title menu o \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/dvd-title.png} + \includegraphics[width=0.8\linewidth]{dvd-title.png} \caption{Title menu for DVD/BD} \label{fig:dvd-title} \end{figure} @@ -663,7 +663,7 @@ Example of Video Source with 4:3 Aspect Ratio, Being Transcribed to 16:9 and Cre \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/dvd01.png} + \includegraphics[width=0.7\linewidth]{dvd01.png} \caption{Choose NTSC or PAL for DVD creation} \label{fig:dvd-000} \end{figure} @@ -676,7 +676,7 @@ Example of Video Source with 4:3 Aspect Ratio, Being Transcribed to 16:9 and Cre \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/dvd03.png} + \includegraphics[width=1.0\linewidth]{dvd03.png} \caption{Set Scale Ratio to Cropped} \label{fig:dvd03} \end{figure} @@ -693,7 +693,7 @@ In figure~\ref{fig:scaleratio}, the left side shows the Input Ratio, Width, and \begin{figure}[htpb] \centering - \includegraphics[width=0.6\linewidth]{images/scaleratio.png} + \includegraphics[width=0.6\linewidth]{scaleratio.png} \caption{Scale Ratio plugin} \label{fig:scaleratio1} \end{figure} @@ -708,7 +708,7 @@ Keep in mind that the monitor you are using is NOT the intended output display d \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/dvd04.png} + \includegraphics[width=1.0\linewidth]{dvd04.png} \caption{Better scale on compositor} \label{fig:dvd04} \end{figure} @@ -720,7 +720,7 @@ Keep in mind that the monitor you are using is NOT the intended output display d \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/dvd-batch05.png} + \includegraphics[width=0.9\linewidth]{dvd-batch05.png} \caption{Error in Batch Render} \label{fig:dvd-batch05} \end{figure} diff --git a/parts/Editing.tex b/parts/Editing.tex index 701100e..f063d10 100644 --- a/parts/Editing.tex +++ b/parts/Editing.tex @@ -7,7 +7,7 @@ The timeline is where all editing decisions are made (figure~\ref{fig:timeline}) \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/timeline.png} + \includegraphics[width=0.8\linewidth]{timeline.png} \caption{Timeline editing session using the upcoming Cinfinity theme.} \label{fig:timeline} \end{figure} @@ -44,7 +44,7 @@ on the toggle to enable/disable the feature. \begin{wrapfigure}[15]{O}{0.3\linewidth} \vspace{-2ex} \centering - \includegraphics[width=0.79\linewidth]{images/patchbay01.png} + \includegraphics[width=0.79\linewidth]{patchbay01.png} \caption{Patchbay} \label{fig:patchbay01} \end{wrapfigure} @@ -77,7 +77,7 @@ The \textit{attributes} are described here next. \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/overlay.png} + \includegraphics[width=0.7\linewidth]{overlay.png} \caption{Video Overlay, audio Pan and Nudge.} \label{fig:overlay} \end{figure} @@ -233,7 +233,7 @@ pasted one after the other, keeping the same order they have on the stack. \begin{wrapfigure}[16]{O}{0.3\linewidth} \vspace{1ex} \centering - \includegraphics[width=0.9\linewidth]{images/cut.png} + \includegraphics[width=0.9\linewidth]{cut.png} \caption{Blade cut} \label{fig:cut} \end{wrapfigure} @@ -435,7 +435,7 @@ Figure~\ref{fig:inter-view01} shows an example of the Inter-View mode mapping pr \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/inter-view01.png} + \includegraphics[width=0.8\linewidth]{inter-view01.png} \caption{Inter-View mode: white bar$\rightarrow$source; red bar$\rightarrow$timeline} \label{fig:inter-view01} \end{figure} @@ -445,7 +445,7 @@ Explanation of how to use Inter-View mode will be described here next. \begin{itemize} \item Do your editing as usual on the timeline until you are ready to see what is used or unused. \item Make sure you are in any of the Preview modes in the Resources window; you enable the mode using the pulldown to the left of the word Search. The option looks like this - \quad \includegraphics[height=\baselineskip]{images/fullplay.png}. \item Middle mouse click on a thumbnail in the Resources window and a popup occurs of that media with a + \quad \includegraphics[height=\baselineskip]{fullplay.png}. \item Middle mouse click on a thumbnail in the Resources window and a popup occurs of that media with a white colored bar at the top and a red colored bar at the bottom with black sections. \end{itemize} @@ -467,7 +467,7 @@ you can operate the following buttons to display what you need to see and to mov Figure~\ref{fig:inter-view02} displays Inter-View window and its relation to the timeline, viewer, and compositor. \begin{figure}[ht] \centering - \includegraphics[width=0.9\linewidth]{images/inter-view02.png} + \includegraphics[width=0.9\linewidth]{inter-view02.png} \caption{Inter-View mode and the timeline} \label{fig:inter-view02} \end{figure} @@ -511,7 +511,7 @@ Instead of using the \# number on the main menu to close the current EDL, both t \pagebreak \begin{figure}[h] \centering - \includegraphics[width=0.8\linewidth]{images/editing-img001.png} + \includegraphics[width=0.8\linewidth]{editing-img001.png} \caption{Once you have an an Open EDL, there are 2 ways to close it.} \label{fig:open_edl} \end{figure} @@ -594,7 +594,7 @@ Here is a step by step example of how you can use \textit{File by Reference}: \begin{comment} \begin{figure}[htpb] \centering - \includegraphics[width=0.6\linewidth]{images/lenght.png} + \includegraphics[width=0.6\linewidth]{lenght.png} \caption{Edit Length window} \label{fig:lenght} \end{figure} @@ -606,7 +606,7 @@ Here is a step by step example of how you can use \textit{File by Reference}: To set the length of an edit in the timeline, select the region which contains the edit to be modified. Now select the menu bar \texttt{Edit $\rightarrow$ Edit Length}\dots menu item to activate the \textit{edit length} popup (figure~\ref{fig:lenght}). The duration of the edit can be reset by entering the desired edit length in seconds. Pressing OK will change all of the selected edits (in armed tracks) to the specified length. \begin{figure}[htpb] \centering - \includegraphics[width=0.6\linewidth]{images/lenght.png} + \includegraphics[width=0.6\linewidth]{lenght.png} \caption{Edit Length window} \label{fig:lenght} \end{figure} @@ -630,7 +630,7 @@ alignment boundary time. Align Edits works best if there are an equal number of The first two screenshots in figure~\ref{fig:align} show the Before, the Highlighted Edits to be manipulated, and the After results for the Align Edits. The third screenshot \textit{adds silence} in the second section as noted in red letters. \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/align.png} + \includegraphics[width=0.8\linewidth]{align.png} \caption{Align edits} \label{fig:align} \end{figure} @@ -643,7 +643,7 @@ The Reverse Edits can be useful to change the order of 2 edits in the case where Figure~\ref{fig:reverse01} shows the selected / highlighted area to which Edits will be applied. Note the first edit is 00002, followed by 00003, 00004, and 00005 in that order. \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/reverse01.png} + \includegraphics[width=0.8\linewidth]{reverse01.png} \caption{Selected area for edits aligment} \label{fig:reverse01} \end{figure} @@ -651,7 +651,7 @@ Figure~\ref{fig:reverse01} shows the selected / highlighted area to which Edits Figure~\ref{fig:reverse02} shows the results of executing \textit{Reverse Edits}. Now you will see the reversed order of 00005, 00004, 00003, and last 00002. \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/reverse02.png} + \includegraphics[width=0.8\linewidth]{reverse02.png} \caption{Results of the Reverse Edits} \label{fig:reverse02} \end{figure} @@ -664,7 +664,7 @@ The file pulldown \texttt{Edit $\rightarrow$ Shuffle Edits} will randomly exchan Figure~\ref{fig:shuffle} illustrating Shuffle Edits of the highlighted area of the first screenshot on the page. Note the permutation of the fragments resulting in 00003 now being first, then 00005, 00002, and 00004 last. \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/shuffle.png} + \includegraphics[width=0.8\linewidth]{shuffle.png} \caption{Shuffle edits: the edits are permutated} \label{fig:shuffle} \end{figure} @@ -681,7 +681,7 @@ For all file formats, other than still images, the extent of the trimming operat You have 6 different choices of which mouse button to use for specific types of editing while using the drag handle. You change the drag handle mouse effects by using the \texttt{Settings $\rightarrow$ Preferences $\rightarrow$ Interface} tab and modifying the Editing section as shown in the next figure~\ref{fig:trim}. The drag handle affects not only the clip you are working on but also frequently the entire duration of all clips on the timeline.\\ \begin{figure}[htpb] \centering - \includegraphics[width=0.6\linewidth]{images/trim.png} + \includegraphics[width=0.6\linewidth]{trim.png} \caption{Default choices for mouse: Ripple for button 1; Roll for button 2; Slip for button 3} \label{fig:trim} \end{figure} @@ -747,7 +747,7 @@ Next, a more immediate and colorful view shows these trimming options (figure~\r \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/trim-color.png} + \includegraphics[width=0.8\linewidth]{trim-color.png} \caption{The 5 types of Trim: note the different lengths of the results.} \label{fig:trim-color} \end{figure} @@ -755,7 +755,7 @@ Next, a more immediate and colorful view shows these trimming options (figure~\r \paragraph{How to do a J-cut or L-cut} A J-cut is a split edit film editing technique in which the audio from a following scene overlaps the picture from the preceding scene, so that the audio portion of the later scene starts playing before its picture as a lead-in to the visual cut. An L-cut is a different split edit film editing technique in which the audio from preceding scene overlaps the picture from the following scene, so that the audio cuts after the picture, and continues playing over the beginning of the next scene (figure~\ref{fig:j-cut}). To do either a J-cut or an L-cut, you first shorten the first or second video a little. Then you block the audio tracks from changing by disarming the appropriate tracks. Finally use \textit{One Edit (roll)} the cutting edge off the videos. Moving to the right creates a J-cut and moving to the left creates an L-cut. \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/j-cut.png} + \includegraphics[width=0.8\linewidth]{j-cut.png} \caption{J-cut to left and L-cut to right} \label{fig:j-cut} \end{figure} @@ -772,7 +772,7 @@ First familiarize yourself with button operation; check your setup by executing Now to use this feature, create a track with edits that have trims on the left and/or the right. The edit boundary can be modified using \textit{drag handles} at the boundary between the edits (figure~\ref{fig:trim-display}). \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/trim-display.png} + \includegraphics[width=0.9\linewidth]{trim-display.png} \caption{Split compositor screen showing the result of the Trim feature} \label{fig:trim-display} \end{figure} @@ -797,7 +797,7 @@ There are Edit Panel buttons which normally are used to move to the previous or \begin{wrapfigure}[5]{r}{0.2\linewidth} \vspace{-1ex} \centering - \includegraphics[width=0.7\linewidth]{images/snap.png} + \includegraphics[width=0.7\linewidth]{snap.png} \end{wrapfigure} They look like tags and the letter E on the menu bar and are oriented forward/backward. These same buttons can be used to \textit{cut} from the insert pointer to the previous or next edit/label when the ctrl+alt keys are both pressed when the buttons are used. They \textit{snap} off the media instead of doing the standard re-positioning. This is useful to minimize the number of operations necessary to cut between edits/labels. @@ -832,7 +832,7 @@ are placed in the user's \$HOME/Videos directory by default. This can be modifi \texttt{Settings $\rightarrow$ Preferences $\rightarrow$ Interface} tab, Nested Proxy Path. \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/nesting.png} + \includegraphics[width=0.9\linewidth]{nesting.png} \caption{Nested clips in Timeline and Resources window} \label{fig:nesting} \end{figure} @@ -884,7 +884,7 @@ Directions for using the ShuttlePROv2 and the ShuttleXpress with \CGG{} are desc \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/shuttle.png} + \includegraphics[width=0.9\linewidth]{shuttle.png} \caption{ShuttlePROv2 and ShuttleXpress} \label{fig:shuttle} \end{figure} diff --git a/parts/FFmpeg.tex b/parts/FFmpeg.tex index 2a2673d..2c64869 100644 --- a/parts/FFmpeg.tex +++ b/parts/FFmpeg.tex @@ -25,7 +25,7 @@ that ffmpeg early probes is enabled; (2) \textit{Try FFMpeg last} indicator mes \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/ff.png} + \includegraphics[width=0.7\linewidth]{ff.png} \caption{The three colors of \textit{Probe}} \label{fig:ff} \end{figure} @@ -285,7 +285,7 @@ Figure~\ref{fig:video-preset} shows \textit{ffmpeg} video as the Kind. Note the \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/video-preset.png} + \includegraphics[width=0.8\linewidth]{video-preset.png} \caption{FFmpeg wrench, video preset and view options} \label{fig:video-preset} \end{figure} @@ -294,7 +294,7 @@ Figure~\ref{fig:audio-preset02} shows \textit{ffmpeg} video for the Kind. Note t \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/audio-preset02.png} + \includegraphics[width=0.8\linewidth]{audio-preset02.png} \caption{FFmpeg wrench, audio preset and view options} \label{fig:audio-preset02} \end{figure} diff --git a/parts/Installation.tex b/parts/Installation.tex index 06d7973..378038c 100644 --- a/parts/Installation.tex +++ b/parts/Installation.tex @@ -419,7 +419,7 @@ For example, in the current case of Leap 15, libx264 and libx265 are not built i \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/download-distros.png} + \includegraphics[width=1.0\linewidth]{download-distros.png} \caption{Screencast of the website Download page for installing \CGG{} for various O/S.} \label{fig:download-distros} \end{figure} diff --git a/parts/Introduction.tex b/parts/Introduction.tex index 143e549..4780b7f 100644 --- a/parts/Introduction.tex +++ b/parts/Introduction.tex @@ -8,7 +8,7 @@ used to transcode media from one format to another or to correct and retouch photos. \CGG{} currently runs on many Linux operating system distributions. -This manual covers the \CGG{} Infinity version. Information +This manual covers the \CGG{} \INF{} version. Information contained in this manual is a description of the \CGG{} program usage and was obtained from various sources to include different communication channels, emails, common knowledge, and write-ups as diff --git a/parts/Keyframes.tex b/parts/Keyframes.tex index 9d16c43..8cefa99 100644 --- a/parts/Keyframes.tex +++ b/parts/Keyframes.tex @@ -4,9 +4,9 @@ The word \textit{keyframe} has at least 3 contextual meanings in the NLE environment. First, the oldest meaning, is the \textit{I-Frame} definition used in codecs algorithms. These are \textit{key} frames that begin a new sequence of pictures, and are anchor points for repositioning (seeks). Next are the automation parameter data points. These are usually input to primitive math forms, like translation and zoom. And last are blobs of data that are chunks of parameters to plugins that can do almost anything. The data can be a simple value, like a fader value, or more complex like a group of points and colors in a sketcher plugin keyframe. The word keyframe has changed a lot in meaning. In the context of \CGG{}, keyframes are data values that have been associated to the timeline which affect the media presentation. So a keyframe no longer refers to a frame, but to a position on the timeline. In \CGG{}, there are two general types of keyframe data, \textit{automation keyfra\-mes} (autos) which are drawn as colored lines and box icons overlayed at a point on a media track, and \textit{plugin keyframes} which are drawn as gold key symbols on a plugin bar of a track. \quad -\includegraphics[height=\baselineskip]{images/auto.png} +\includegraphics[height=\baselineskip]{auto.png} Auto $\leftarrow$ Keyframe $\rightarrow$ -Plugin \includegraphics[height=\baselineskip]{images/plugin.png} +Plugin \includegraphics[height=\baselineskip]{plugin.png} \section{Automation Keyframes / Autos}% \label{sec:automation_keyframes_autos} @@ -36,7 +36,7 @@ To make it easier to navigate curve keyframes, since there is not much room on t \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/automation.png} + \includegraphics[width=0.7\linewidth]{automation.png} \caption{Automation zoom menu with tumbler} \label{fig:automation} \end{figure} @@ -68,7 +68,7 @@ Figure~\ref{fig:overlays1} and figure~\ref{fig:fade} shows several color coded l \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/fade.png} + \includegraphics[width=0.8\linewidth]{fade.png} \caption{Fade curve with pink colored box Keyframe and Slider bar} \label{fig:fade} \end{figure} @@ -77,7 +77,7 @@ In the \textit{Editing} section of \texttt{Settings $\rightarrow$ Preferences, I \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/always.png} + \includegraphics[width=0.8\linewidth]{always.png} \caption{Fade Auto with \textit{Always} set for easy to see numeric values} \label{fig:always} \end{figure} @@ -85,7 +85,7 @@ In the \textit{Editing} section of \texttt{Settings $\rightarrow$ Preferences, I \begin{wrapfigure}[9]{O}{0.5\linewidth} \vspace{-2ex} \centering - \includegraphics[width=0.79\linewidth]{images/controls.png} + \includegraphics[width=0.79\linewidth]{controls.png} \caption{Fade Auto with Controls} \label{fig:controls} \end{wrapfigure} @@ -129,7 +129,7 @@ Note the status bar numbers in the lower left-hand corner displaying 2.17 second \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/speed.png} + \includegraphics[width=0.8\linewidth]{speed.png} \caption{Ganged Speed Auto on all tracks and Speed auto with orange Slider bar} \label{fig:speed} \end{figure} @@ -166,7 +166,7 @@ Keyframe values can be set using the various plugin \textit{show controls} (magn \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/parameters.png} + \includegraphics[width=0.8\linewidth]{parameters.png} \caption{Keyframe Parameters window for a Blue Banana plugin added to the video track} \label{fig:parameters} \end{figure} diff --git a/parts/Loadandsave.tex b/parts/Loadandsave.tex index 2d9203a..6b2e5a2 100644 --- a/parts/Loadandsave.tex +++ b/parts/Loadandsave.tex @@ -146,7 +146,7 @@ The final screenshot showing the Resources Asset Info displaying the File format \begin{figure}[htpb] \centering - \includegraphics[width=0.95\linewidth]{images/raw.png} + \includegraphics[width=0.95\linewidth]{raw.png} \caption{Screenshots for RAW images} \label{fig:raw} \end{figure} @@ -158,7 +158,7 @@ All data that you work with in \CGG{} is acquired either by loading from disk or \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/load.png} + \includegraphics[width=0.8\linewidth]{load.png} \caption{Load file menu. Note the green checkmark for OK and the middle Apply option} \label{fig:load} \end{figure} @@ -229,7 +229,7 @@ When you use the File pulldown to load files, you can do a sort within a sort wh \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/load-sort.png} + \includegraphics[width=0.9\linewidth]{load-sort.png} \caption{Load - Sort by File name, sort by file Size, and within Extension after a previous Size sort} \label{fig:load-sort} \end{figure} @@ -249,7 +249,7 @@ There are several icon buttons at the top on the right hand side of the Load win \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/load-size.png} + \includegraphics[width=0.9\linewidth]{load-size.png} \caption{Load windows with various Numeric Sizes} \label{fig:load-size} \end{figure} @@ -269,7 +269,7 @@ The default setup is set to duplicate the past expected behavior with the except \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/probe.png} + \includegraphics[width=0.9\linewidth]{probe.png} \caption{Three example of Probes window} \label{fig:probe} \end{figure} @@ -289,7 +289,7 @@ Below are screenshots illustrating multiple program streams (figure~\ref{fig:str \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/stream.png} + \includegraphics[width=0.8\linewidth]{stream.png} \caption{Multiple program streams and Asset Detail} \label{fig:stream} \end{figure} @@ -323,7 +323,7 @@ Originally, the easiest way to maintain a project for moving to another computer \begin{figure}[htpb] \centering - \includegraphics[width=0.6\linewidth]{images/export.png} + \includegraphics[width=0.6\linewidth]{export.png} \caption{Export Project option popup and the 3 available options.} \label{fig:export} \end{figure} @@ -356,7 +356,10 @@ In an effort to minimize loss of work due to user, hardware, or software issues, \CGG{} automatically saves every \textit{editing operation} to the current project on disk continuously to a file named \texttt{\$HOME/.bcast5/backup.xml}. In the unlikely event of a crash, when you restart \CGG{}, you should select \texttt{File $\rightarrow$ Load backup} in order to continue with the operations that were recorded before the crash. If you have more than 1 instance of \CGG{} running, only the last editing operation made in whichever instance it was last made, will overwrite the backup. -There is still 1 more backup that may save you. If for some reason you forgot to use \textit{Load backup} immediately when restarting, you have a second chance to use \texttt{File $\rightarrow$ Load} and select \texttt{\$HOME/.bcast5/backup.prev} as long as you only loaded a different file and have performed no editing operations. This same file is also used by multiple instances of \CGG{}. +There is still 1 more backup that may save you. If for some reason you forgot to use \textit{Load backup} +immediately when restarting or you did a Load with \textit{Replace current project} in your current session, +you have a second chance to use \texttt{File $\rightarrow$ Load} and select \texttt{\$HOME/.bcast5/backup.prev} +as long as you only loaded a different file and have performed no editing operations. This same file is also used by multiple instances of \CGG{}. \textbf{Perpetual session} is very useful for working on a project over many days so you can just quit before shutting down and the next time you start up \CGG{} you will be right back where you left off. You will retain all of your undo’s and redo’s. diff --git a/parts/Multi5s.tex b/parts/Multi5s.tex index 2ffbfa6..ec054cb 100644 --- a/parts/Multi5s.tex +++ b/parts/Multi5s.tex @@ -14,7 +14,7 @@ Figure~\ref{fig:multicam01} shows 9 media sources in the left corner, the compos \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/multicam01.png} + \includegraphics[width=1.0\linewidth]{multicam01.png} \caption{Using Mixer capability in Cin for multiple cameras} \label{fig:multicam01} \end{figure} @@ -127,7 +127,7 @@ Synchronizing multiple camera videos based on audio tracks can be done with \CGG \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/mixer-align01.png} + \includegraphics[width=0.9\linewidth]{mixer-align01.png} \caption{Align Mixers window} \label{fig:mixer-align01} \end{figure} @@ -163,7 +163,7 @@ Two different methods of aligning the audio for mixers are available. They are m \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/mixer-align02.png} + \includegraphics[width=0.9\linewidth]{mixer-align02.png} \caption{Aligned mixer window after "Match". Note the Nudge amounts above.} \label{fig:mixer-align02} \end{figure} @@ -181,7 +181,7 @@ More detailed information follows about how this all works and the information i \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/mixer-align03.png} + \includegraphics[width=0.9\linewidth]{mixer-align03.png} \caption{Match setup for aligning by audio. Note that [ ] are set over a sample waveform highlighted selection that includes that.} \label{fig:mixer-align03} \end{figure} @@ -197,7 +197,7 @@ The Mixer with the master track generally does not move, everything else will be \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/mixer-align04.png} + \includegraphics[width=0.9\linewidth]{mixer-align04.png} \caption{An audio Match is complete. Note the waveform is aligned.} \label{fig:mixer-align04} \end{figure} @@ -227,7 +227,7 @@ The Mixer with the master track generally does not move, everything else will be \begin{wrapfigure}[16]{O}{1em + 0.3\textwidth} \vspace{-1ex} \centering - \includegraphics[width=0.3\textwidth]{images/mixer-patchbay01.png} + \includegraphics[width=0.3\textwidth]{mixer-patchbay01.png} \caption{Mixer patchbay} \label{fig:mixer-patchbay01} \end{wrapfigure} @@ -263,7 +263,7 @@ Multi-Pane, or split screen, allows you to look at the first part of a movie at \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/multi-pane01.png} + \includegraphics[width=1.0\linewidth]{multi-pane01.png} \caption{Shown are 4 panes that have split the main track canvas for some editing scenarios} \label{fig:multi-pane01} \end{figure} @@ -282,7 +282,7 @@ Figure~\ref{fig:multi-screen01} shows partial window of \textit{*Playback A} sel \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/multi-screen01.png} + \includegraphics[width=0.9\linewidth]{multi-screen01.png} \caption{Multi-screen Playback example useful for watching \CGG{} run on the \textit{big screen}} \label{fig:multi-screen01} \end{figure} @@ -300,7 +300,7 @@ You can create as many Viewer windows as you want in \CGG{}. These are handy fo \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/multi-view01.png} + \includegraphics[width=0.9\linewidth]{multi-view01.png} \caption{Shown here are 3 Viewer windows and the \textit{View in new window} popup} \label{fig:multi-view01} \end{figure} diff --git a/parts/Overlays.tex b/parts/Overlays.tex index 6c5b1d0..d6750dd 100644 --- a/parts/Overlays.tex +++ b/parts/Overlays.tex @@ -14,7 +14,7 @@ Figure~\ref{fig:overlay-01} shows the pulldown in the patchbay and the tool tip \begin{figure}[htpb] \centering - \includegraphics[width=0.99\linewidth]{images/overlay-01.png} + \includegraphics[width=0.99\linewidth]{overlay-01.png} \caption{Patchbay pulldown with Porter Duff and Graphic Art overlays expanded} \label{fig:overlay-01} \end{figure} @@ -29,26 +29,26 @@ Below, in figure~\ref{fig:normal}, are the results of utilizing the 30 available \begin{figure}[htpb] \centering - \includegraphics[width=0.84\linewidth]{images/normal.png} + \includegraphics[width=0.84\linewidth]{normal.png} \caption{Normal and Arithmetic overlays} \label{fig:normal} \end{figure} \begin{figure}[htpb] \centering - \includegraphics[width=0.84\linewidth]{images/porter-duff.png} + \includegraphics[width=0.84\linewidth]{porter-duff.png} \caption{Porter Duff overlays} \end{figure} \begin{figure}[htpb] \centering - \includegraphics[width=0.84\linewidth]{images/logical.png} + \includegraphics[width=0.84\linewidth]{logical.png} \caption{Logical overlays} \end{figure} \begin{figure}[htpb] \centering - \includegraphics[width=0.84\linewidth]{images/graphic-art.png} + \includegraphics[width=0.84\linewidth]{graphic-art.png} \caption{Graphic Art overlays} \end{figure} diff --git a/parts/Plugins.tex b/parts/Plugins.tex index a47320e..0c57797 100644 --- a/parts/Plugins.tex +++ b/parts/Plugins.tex @@ -7,7 +7,7 @@ Effect plugins modify the track when played, according to how they are set, with \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/video-plugins.png} + \includegraphics[width=1.0\linewidth]{video-plugins.png} \caption{Screencast of the native Video plugins in the default Cinfinity icon set.} \label{fig:video-plugins} \end{figure} @@ -20,7 +20,7 @@ Note that when you change the plugin icons, your session will automatically save \begin{figure}[htpb] \centering - \includegraphics[width=0.6\linewidth]{images/audio-plugins.png} + \includegraphics[width=0.6\linewidth]{audio-plugins.png} \caption{Cinfinity2 audio plugins} \label{fig:audio-plugins} \end{figure} @@ -28,7 +28,7 @@ Note that when you change the plugin icons, your session will automatically save \begin{figure}[htpb] \centering \begin{tikzpicture}[scale=1, transform shape] - \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.5\linewidth]{images/plugin-icons.png}}; + \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.5\linewidth]{plugin-icons.png}}; \node [yshift=-8mm, xshift=-1cm,anchor=east] at (img1.north west) (Preferences) {Preferences Window}; \node [yshift=-17mm, xshift=-1cm,anchor=east] at (img1.north west) (Tab) {Tab section}; \node [yshift=-41mm, xshift=-1cm,anchor=east] at (img1.north west) (Icon) {Plugin icon choices}; @@ -57,7 +57,7 @@ Besides the magnifying glass, for Show Controls, on the effect colored bar benea \begin{wrapfigure}[2]{r}{0.3\linewidth} \vspace{-3ex} \centering - \includegraphics[width=0.7\linewidth]{images/button-options.png} + \includegraphics[width=0.7\linewidth]{button-options.png} \end{wrapfigure} The rightmost knob is used to Turn Off/Turn On the effect where the default is On. This is useful to easily see that the plugin is doing what you expect. The leftmost symbol that looks like a gear is for \textit{Preset Edit} and its usage is described in the section \nameref{sec:saved_plugin_preset}. @@ -71,7 +71,7 @@ When enabled, which is the default, and you edit tracks, the effects follow the \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/editing-effects.png} + \includegraphics[width=0.9\linewidth]{editing-effects.png} \caption{Screencast of the native Video plugins in the default Cinfinity icon set.} \label{fig:editing-effects} \end{figure} @@ -88,7 +88,7 @@ Figure~\ref{fig:drag-effect} showing 5 plugins, two still plugin, two have alrea \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/drag-effect.png} + \includegraphics[width=0.7\linewidth]{drag-effect.png} \caption{Dragging the Color 3 way effect} \label{fig:drag-effect} \end{figure} @@ -119,12 +119,12 @@ In order to prevent the shared track from mixing the same data as the original t \section{Saved Plugin Presets}% \label{sec:saved_plugin_preset} -\textit{Presets} and \textit{Factory Presets} for Plugin settings are now combined with the Preset Keyframe Parameters allowing you to choose, apply, delete, and edit your own Presets which can then be easily saved in the file \texttt{\$HOME/.bcast5/\CGG{}\_\\presets}. In addition to your own saved presets, there are automatically available Factory presets for some plugins, for example the Lens video plugin. The Factory presets are preceded by an asterisk (*) and can not be modified permanently. +\textit{Presets} and \textit{Factory Presets} for Plugin settings are now combined with the Preset Keyframe Parameters allowing you to choose, apply, delete, and edit your own Presets which can then be easily saved in the file \texttt{\$HOME/.bcast5/Cinelerra\_presets}. In addition to your own saved presets, there are automatically available Factory presets for some plugins, for example the Lens video plugin. The Factory presets are preceded by an asterisk (*) and can not be modified permanently. \begin{wrapfigure}[4]{r}{0.3\linewidth} \vspace{-2ex} \centering - \includegraphics[width=0.7\linewidth]{images/preset.png} + \includegraphics[width=0.7\linewidth]{preset.png} \end{wrapfigure} Note that using this is directly changing a keyframe object so you will only want to modify parameters you are familiar with. Most of the data is obvious and safe to change. @@ -134,7 +134,7 @@ A Presets button on the plugin bar to the left of the Controls and On/Off button \begin{figure}[htpb] \centering \begin{tikzpicture}[scale=1, transform shape] - \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.6\linewidth]{images/preset02.png}}; + \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.6\linewidth]{preset02.png}}; \node [yshift=-30mm, xshift=-1cm,anchor=east] at (img1.north west) (Green) {A user preset Green}; \node [yshift=-101mm, xshift=-1cm,anchor=south east,text width=10em, inner ysep=-3mm] at (img1.north west) (Textbox) {Textbox to type in the title for the chosen preset or name for a new preset.}; \node [yshift=-110mm, xshift=-1cm,anchor=north east,text width=10em,inner ysep=-3mm] at (img1.north west) (Save) {Use the Delete, Save or Apply button for operation.}; @@ -158,7 +158,7 @@ To get a short one or a few lines description of a plugin, right click on that p \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/info-effect.png} + \includegraphics[width=0.7\linewidth]{info-effect.png} \caption{Effect Info for Color 3 Way} \label{fig:info-effect} \end{figure} @@ -170,7 +170,7 @@ Maybe you just don't ever use certain plugins or would prefer to only find the o \begin{figure}[htpb] \centering - \includegraphics[width=0.6\linewidth]{images/remove-effect.png} + \includegraphics[width=0.6\linewidth]{remove-effect.png} \caption{Remove Deinterlace-CV plugin} \label{fig:remove-effect} \end{figure} @@ -217,7 +217,7 @@ The \CGG{} program looks for a plugin icon in two places: \end{enumerate} \begin{figure}[htpb] \centering - \includegraphics[width=0.05\linewidth]{images/audio-default.png} + \includegraphics[width=0.05\linewidth]{audio-default.png} \end{figure} Keep in mind these points for newly created plugin icons: @@ -269,7 +269,7 @@ Restart cin by changing \texttt{Settings$\rightarrow$ Preferences$\rightarrow$ A \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/visibility01.png} + \includegraphics[width=0.8\linewidth]{visibility01.png} \caption{Screenshot showing on the left hand side the Visibility box with Audio Effects highlighted.} \label{fig:visibility01} \end{figure} @@ -281,7 +281,7 @@ Highlight the set you want to turn on and a check mark appears to show it is act \begin{figure}[htpb] \centering - \includegraphics[width=0.6\linewidth]{images/visibility02.png} + \includegraphics[width=0.6\linewidth]{visibility02.png} \caption{Screenshot showing the Visibility categories of plugins with all toggled on and audio highlighted.} \label{fig:visibility02} \end{figure} @@ -311,7 +311,7 @@ Audio Effects \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/expander.png} + \includegraphics[width=0.8\linewidth]{expander.png} \caption{$\bigtriangledown$, $\rhd$ =expander; "-" = options} \label{fig:expander} \end{figure} @@ -364,7 +364,7 @@ It is an effect that modulates the signal, varies the pitch up and down (instead \begin{figure}[htpb] \centering - \includegraphics[width=0.5\linewidth]{images/chorus.png} + \includegraphics[width=0.5\linewidth]{chorus.png} \caption{GUI of configuration for Chorus plugin} \label{fig:chorus} \end{figure} @@ -384,7 +384,7 @@ The audio compressor reduces the dynamic range of the audio, not the amount of d \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/compressor.png} + \includegraphics[width=0.7\linewidth]{compressor.png} \caption{GUI of configuration for Compressor plugin} \label{fig:compressor} \end{figure} @@ -416,7 +416,7 @@ The normal compressor acts over the entire frequency spectrum. The multi-band al \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/compressorM.png} + \includegraphics[width=0.7\linewidth]{compressorM.png} \caption{GUI of configuration for Compressor Multi plugin} \label{fig:compressorM} \end{figure} @@ -472,7 +472,7 @@ Graphic equalizer sets the output levels for specified frequency bands. This eff \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/equalizer.png} + \includegraphics[width=0.7\linewidth]{equalizer.png} \caption{Graphic Equalizer audio plugin} \label{fig:equalizer} \end{figure} @@ -484,7 +484,7 @@ Parametric equalizer shows and outputs levels for \textit{frequency}, \textit{qu \begin{figure}[htpb] \centering - \includegraphics[width=0.4\linewidth]{images/eq_param.png} + \includegraphics[width=0.4\linewidth]{eq_param.png} \caption{Graphic Equalizer audio plugin} \label{fig:eq_param} \end{figure} @@ -496,7 +496,7 @@ Echo is reflection of sound. This plugin could be used to add echoing to video o \begin{figure}[htpb] \centering - \includegraphics[width=0.4\linewidth]{images/echo.png} + \includegraphics[width=0.4\linewidth]{echo.png} \caption{The 3 dials of Echo plugin} \label{fig:echo} \end{figure} @@ -514,7 +514,7 @@ EchoCancel is the process of removing echos from audio in order to improve the q \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/echo-cancel.png} + \includegraphics[width=0.8\linewidth]{echo-cancel.png} \caption{GUI for EchoCancel with crosshair and mode set to ON} \label{fig:echo-cancel} \end{figure} @@ -543,7 +543,7 @@ The delay introduced consists of two distinct components: the \textit{constant d \begin{figure}[htpb] \centering - \includegraphics[width=0.5\linewidth]{images/flanger.png} + \includegraphics[width=0.5\linewidth]{flanger.png} \caption{GUI of configuration for Flanger plugin} \label{fig:flanger} \end{figure} @@ -626,7 +626,7 @@ The configuration window (figure~\ref{fig:reverb}) shows a graph of the full ban \begin{figure}[htpb] \centering - \includegraphics[width=0.5\linewidth]{images/reverb.png} + \includegraphics[width=0.5\linewidth]{reverb.png} \caption{GUI of configuration for Reverb plugin} \label{fig:reverb} \end{figure} @@ -665,7 +665,7 @@ Generate synthesizer sounds; to set key data, turn on Generate keyframes while t \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/synthesizer.png} + \includegraphics[width=1.0\linewidth]{synthesizer.png} \caption{GUI for Synthesizer} \label{fig:synthesizer} \end{figure} @@ -684,7 +684,7 @@ NOTE: There is often confusion between Tremolo and Vibrato, but the vibrato is t \begin{figure}[htpb] \centering - \includegraphics[width=0.5\linewidth]{images/tremolo.png} + \includegraphics[width=0.5\linewidth]{tremolo.png} \caption{GUI of configuration for Tremolo plugin} \label{fig:tremolo} \end{figure} @@ -749,7 +749,7 @@ Below is a screencast showing the auto start gui flag and the \texttt{LV2\_PATH} \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/reload.png} + \includegraphics[width=0.9\linewidth]{reload.png} \caption{Reload plugin index in yellow and Auto start lv2 gui unchecked} \label{fig:reload} \end{figure} @@ -760,7 +760,7 @@ Note the UI button in the upper right hand corner above the Reset button (figure \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/calf.png} + \includegraphics[width=1.0\linewidth]{calf.png} \caption{Screencast of simple text interface in the middle of the screen for a Calf LV2 plugin} \label{fig:calf} \end{figure} @@ -777,7 +777,7 @@ For example: \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/calf02.png} + \includegraphics[width=0.8\linewidth]{calf02.png} \caption{Screencast with a Calf plugin glitzy window that appears when clicking the simple interface UI button.} \label{fig:calf02} \end{figure} @@ -836,7 +836,7 @@ The basic strategy for BlueBanana is to: \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/bluebanana.png} + \includegraphics[width=1.0\linewidth]{bluebanana.png} \caption{Screencast showing the BlueBanana plugin control} \label{fig:bluebanana} \end{figure} @@ -1031,7 +1031,7 @@ Use the effect along with keyframing to brighten a long shot that is dark at the \begin{figure}[htpb] \centering - \includegraphics[width=0.6\linewidth]{images/brightness.png} + \includegraphics[width=0.6\linewidth]{brightness.png} \caption{How it works Brightness and Contrast} \label{fig:brightness} \end{figure} @@ -1095,7 +1095,7 @@ Figure~\ref{fig:c41} shows the C41 controls on the left and part of the Composit \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/c41.png} + \includegraphics[width=0.9\linewidth]{c41.png} \caption{C41 - Control window and compositor window in action} \label{fig:c41} \end{figure} @@ -1107,7 +1107,7 @@ This effect erases pixels which match the selected color. They are replaced with \begin{figure}[htpb] \centering - \includegraphics[width=0.5\linewidth]{images/chroma-key.png} + \includegraphics[width=0.5\linewidth]{chroma-key.png} \caption{Chroma Key control window} \label{fig:chroma-key} \end{figure} @@ -1128,7 +1128,7 @@ Chroma Key (HSV) (figure~\ref{fig:chroma-key-hsv}) replaces a color with another \begin{figure}[htpb] \centering - \includegraphics[width=0.55\linewidth]{images/chroma-key-hsv.png} + \includegraphics[width=0.55\linewidth]{chroma-key-hsv.png} \caption{Keying a green screen with Chroma Key (HSV)} \label{fig:chroma-key-hsv} \end{figure} @@ -1170,7 +1170,7 @@ Together with \textit{Histogram Bezier / Curves} Color 3 Way is the main tool of \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/color3way.png} + \includegraphics[width=0.8\linewidth]{color3way.png} \caption{Color 3 Way control window} \label{fig:color3way} \end{figure} @@ -1232,7 +1232,7 @@ color space or range so that you can fix it. \begin{figure}[hbtp] \centering - \includegraphics[width=0.45\linewidth]{images/colorspace.png} + \includegraphics[width=0.45\linewidth]{colorspace.png} \caption{ColorSpace control window} \label{fig:colorspace} \end{figure} @@ -1245,7 +1245,7 @@ The Chroma Interpolation Key plugin, CriKey, is a regionally based chroma key wi \begin{figure}[htpb] \centering - \includegraphics[width=0.5\linewidth]{images/crikey.png} + \includegraphics[width=0.5\linewidth]{crikey.png} \caption{three active point created in CriKey} \label{fig:crikey} \end{figure} @@ -1278,14 +1278,14 @@ Figure~\ref{fig:crikey01} and figure~\ref{fig:crikey02} shows how moving the Thr \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/crikey01.png} + \includegraphics[width=0.8\linewidth]{crikey01.png} \caption{The screenshot shows the compositor with some default settings in the controls window.} \label{fig:crikey01} \end{figure} \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/crikey02.png} + \includegraphics[width=0.8\linewidth]{crikey02.png} \caption{same screenshot with moving Threshold} \label{fig:crikey02} \end{figure} @@ -1310,7 +1310,7 @@ It allows you to obtain a rectangle from the frame, whose dimensions are fully a \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/crop_position.png} + \includegraphics[width=1.0\linewidth]{crop_position.png} \caption{Crop tool and Crop \& Position plugin compared} \label{fig:crop_position} \end{figure} @@ -1324,14 +1324,14 @@ Figure~\ref{fig:descratch01} shows a list of the parameter descriptions: \begin{figure}[htpb] \centering - \includegraphics[width=0.6\linewidth]{images/descratch01.png} + \includegraphics[width=0.6\linewidth]{descratch01.png} \caption{DeScratch control window} \label{fig:descratch01} \end{figure} \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/descratch02.png} + \includegraphics[width=0.8\linewidth]{descratch02.png} \caption{Various parameters of DeScratch} \label{fig:descratch02} \end{figure} @@ -1361,7 +1361,7 @@ Figure~\ref{fig:descratch} shows a before and after DeScratch scenario. With \te \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/descratch.png} + \includegraphics[width=0.9\linewidth]{descratch.png} \caption{Original video with scratch; Option Mark selected and Final video} \label{fig:descratch} \end{figure} @@ -1387,7 +1387,7 @@ Selection of deinterlacing mode for your video to eliminate comb artifacts (figu \begin{figure}[htpb] \centering - \includegraphics[width=0.6\linewidth]{images/deinterlace.png} + \includegraphics[width=0.6\linewidth]{deinterlace.png} \caption{Pulldown menu} \label{fig:deinterlace} \end{figure} @@ -1404,7 +1404,7 @@ Denoise video (figure~\ref{fig:denoise}). \begin{figure}[htpb] \centering - \includegraphics[width=0.4\linewidth]{images/denoise.png} + \includegraphics[width=0.4\linewidth]{denoise.png} \caption{Control window of the DeNoise plugin} \label{fig:denoise} \end{figure} @@ -1419,7 +1419,7 @@ Pixels which are different between the background and action track are treated a \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/diff-key.png} + \includegraphics[width=0.8\linewidth]{diff-key.png} \caption{Difference key and its problematic output} \label{fig:diff-key} \end{figure} @@ -1526,7 +1526,7 @@ Mathematically, the gamma function is exponential ($output = input^{\gamma}$) an \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/gamma01.png} + \includegraphics[width=1.0\linewidth]{gamma01.png} \caption{settting \textit{Maximun} to $0.5900$} \label{fig:gamma01} \end{figure} @@ -1543,7 +1543,7 @@ The best use of the gamma is manually monitoring the waveform as shown in figure \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/gamma02.png} + \includegraphics[width=1.0\linewidth]{gamma02.png} \caption{Setting \textit{Maximun} to $0.6100$ and \textit{Gamma} to $0.3300$} \label{fig:gamma02} \end{figure} @@ -1581,7 +1581,7 @@ Remap colors using blended histogram weights. Figure~\ref{fig:histeq} shows the \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/histeq.png} + \includegraphics[width=0.8\linewidth]{histeq.png} \caption{Control window and split screen} \label{fig:histeq} \end{figure} @@ -1602,7 +1602,7 @@ The histogram allows an immediate view of the contrast amplitude of an image wit \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/histogram.png} + \includegraphics[width=0.8\linewidth]{histogram.png} \caption{Master Histogram and RGB Histogram} \label{fig:histogram} \end{figure} @@ -1629,7 +1629,7 @@ The input graph is edited by adding and removing any number of points. Click and \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/bezier.png} + \includegraphics[width=0.8\linewidth]{bezier.png} \caption{Histogram Bezier / Curves} \label{fig:bezier} \end{figure} @@ -1652,7 +1652,7 @@ Curves are generally adjusted by introducing several control points, some to be \begin{figure}[htpb] \centering - \includegraphics[width=0.75\linewidth]{images/ex-bezier.png} + \includegraphics[width=0.75\linewidth]{ex-bezier.png} \caption{Gain Up/Down; clamp; S-Shaped curve and Luma Key} \label{fig:ex-bezier} \end{figure} @@ -1681,7 +1681,7 @@ This effect originated from {\small \url{https://effectv.com}}. \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/holographictv.png} + \includegraphics[width=0.8\linewidth]{holographictv.png} \caption{Holographic messages in CinGG!} \label{fig:holographictv} \end{figure} @@ -1756,7 +1756,7 @@ This effect acts only in one direction which can vary up to an angle of $180\deg \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/linear.png} + \includegraphics[width=0.8\linewidth]{linear.png} \caption{For clarity of presentation only 2 fields are shown} \label{fig:linear} \end{figure} @@ -1807,7 +1807,7 @@ The amount of sampling does not significantly change for smaller or larger searc \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/motion51.png} + \includegraphics[width=0.9\linewidth]{motion51.png} \caption{Motion51 plugin window with its default options set.} \label{fig:motion51} \end{figure} @@ -2017,7 +2017,7 @@ In (figure~\ref{fig:perspective}) you can see that there are four options for th \begin{figure}[htpb] \centering - \includegraphics[width=0.5\linewidth]{images/perspective.png} + \includegraphics[width=0.5\linewidth]{perspective.png} \caption{perspective control window} \label{fig:perspective} \end{figure} @@ -2049,7 +2049,7 @@ Figure~\ref{fig:perspective01} show the results of the 4 different smoothing opt \begin{figure}[hbtp] \centering - \includegraphics[width=0.8\linewidth]{images/perspective01.png} + \includegraphics[width=0.8\linewidth]{perspective01.png} \caption{Clockwise: Nearest; Linear; OpenGL and Cubic} \label{fig:perspective01} \end{figure} @@ -2073,7 +2073,7 @@ Most cameras take the light coming into the lens, and convert that into $3$ sets \begin{figure}[hbtp] \centering - \includegraphics[width=0.8\linewidth]{images/rgbshift.png} + \includegraphics[width=0.8\linewidth]{rgbshift.png} \caption{Bad Misaligned color and after color aligned} \label{fig:rgbshift} \end{figure} @@ -2094,7 +2094,7 @@ Figure~\ref{fig:radial} has the parameters: $Angle=-35$ and $Steps=2$. \begin{figure}[hbtp] \centering - \includegraphics[width=0.8\linewidth]{images/radial.png} + \includegraphics[width=0.8\linewidth]{radial.png} \caption{For clarity of presentation only 2 fields are shown} \label{fig:radial} \end{figure} @@ -2169,7 +2169,7 @@ The random generator varies from $-0.5\, to\, 0.5$. The rumble perturbs the norm \begin{figure}[hbtp] \centering - \includegraphics[width=0.45\linewidth]{images/rumbler.png} + \includegraphics[width=0.45\linewidth]{rumbler.png} \caption{Rumbler control window} \label{fig:rumbler} \end{figure} @@ -2205,7 +2205,7 @@ Figure~\ref{fig:svg} shows the menu options plugin window and the SVG image in t \begin{figure}[hbtp] \centering - \includegraphics[width=1.0\linewidth]{images/svg.png} + \includegraphics[width=1.0\linewidth]{svg.png} \caption{Control window and Inkscape} \label{fig:svg} \end{figure} @@ -2228,7 +2228,7 @@ With the Scale Ratio plugin you can manipulate your video to maintain the pixel \begin{figure}[hbtp] \centering - \includegraphics[width=0.5\linewidth]{images/scaleratio.png} + \includegraphics[width=0.5\linewidth]{scaleratio.png} \caption{Many parameters of scale ratio} \label{fig:scaleratio} \end{figure} @@ -2242,7 +2242,7 @@ This plugin is designed to smooth out non-moving areas of a video clip (figure~\ \vspace{2ex} \begin{wrapfigure}[20]{O}{0.4\linewidth} % \vspace{-4ex} - \includegraphics[width=0.9\linewidth]{images/staveraging.png} + \includegraphics[width=0.9\linewidth]{staveraging.png} \caption{STA control window} \label{fig:staveraging} \end{wrapfigure} @@ -2285,7 +2285,7 @@ Now you can sketch \textit{lines}, \textit{curves} or \textit{shapes}, on your v \begin{figure}[hbtp] \centering - \includegraphics[width=1.0\linewidth]{images/sketcher.png} + \includegraphics[width=1.0\linewidth]{sketcher.png} \caption{Sketcher control window and sketch on Compositor} \label{fig:sketcher} \end{figure} @@ -2432,7 +2432,7 @@ Inside the time average effect is an accumulation buffer and a divisor. A number \begin{figure}[hbtp] \centering - \includegraphics[width=0.35\linewidth]{images/timeaverage.png} + \includegraphics[width=0.35\linewidth]{timeaverage.png} \caption{GUI for Time Average} \label{fig:timeaverage} \end{figure} @@ -2452,7 +2452,7 @@ Inside the time average effect is an accumulation buffer and a divisor. A number Space-temporal warping enables time to flow differently at different locations in the video (figure~\ref{fig:timefront}). \begin{wrapfigure}[13]{O}{0.3\linewidth} \vspace{-2ex} - \includegraphics[width=0.8\linewidth]{images/timefront.png} + \includegraphics[width=0.8\linewidth]{timefront.png} \caption{Temporal bands for Timefront} \label{fig:timefront} \end{wrapfigure} @@ -2483,7 +2483,7 @@ The \textit{Titler} allows you to add text from within \CGG{}. The titler has st \begin{figure}[hbtp] \centering - \includegraphics[width=0.9\linewidth]{images/title01.png} + \includegraphics[width=0.9\linewidth]{title01.png} \caption{GUI of the Title plugin} \label{fig:title01} \end{figure} @@ -2524,7 +2524,7 @@ If the video is displayed on a consumer TV, the outer border is going to be crop \begin{figure}[hbtp] \centering - \includegraphics[width=0.3\linewidth]{images/title02.png} + \includegraphics[width=0.3\linewidth]{title02.png} \caption{Pulldown Attributes} \label{fig:title02} \end{figure} @@ -2596,7 +2596,7 @@ Figure~\ref{fig:title03}. \begin{figure}[hbtp] \centering - \includegraphics[width=0.9\linewidth]{images/title03.png} + \includegraphics[width=0.9\linewidth]{title03.png} \caption{Final result of the exemple} \label{fig:title03} \end{figure} @@ -2625,7 +2625,7 @@ The Text Color window has several enhanced features as listed here and seen in f \begin{figure}[hbtp] \centering - \includegraphics[width=0.6\linewidth]{images/title04.png} + \includegraphics[width=0.6\linewidth]{title04.png} \caption{Screencast showing the Color Picker menu.} \label{fig:title04} \end{figure} @@ -2683,7 +2683,7 @@ When using the Titler, kerning is applied in order to allow parts of a letter to \begin{figure}[hbtp] \centering - \includegraphics[width=0.5\linewidth]{images/title05.png} + \includegraphics[width=0.5\linewidth]{title05.png} \caption{Kerning in action} \label{fig:title05} \end{figure} @@ -2695,7 +2695,7 @@ Tracer creates an outline around an object after a few points are designated, so \begin{figure}[hbtp] \centering - \includegraphics[width=0.55\linewidth]{images/tracer-01.png} + \includegraphics[width=0.55\linewidth]{tracer-01.png} \caption{Gui for Tracer plugin} \label{fig:tracer-01} \end{figure} @@ -2719,7 +2719,7 @@ Be sure to uncheck \textit{Draw} and \textit{Drag} before rendering so that the \begin{figure}[hbtp] \centering - \includegraphics[width=0.7\linewidth]{images/tracer-02.png} + \includegraphics[width=0.7\linewidth]{tracer-02.png} \caption{Rug in the top picture is traced in order to black it out or replace later} \label{fig:tracer-02} \end{figure} @@ -2759,7 +2759,7 @@ Videoscope summarizes intensity and color on a calibrated display. The Videoscop \begin{figure}[hbtp] \centering - \includegraphics[width=0.8\linewidth]{images/videoscope01.png} + \includegraphics[width=0.8\linewidth]{videoscope01.png} \caption{GUI of the Videoscope. You see Histogram, RGB Parade and Vectorscope} \label{fig:videoscope01} \end{figure} @@ -2771,7 +2771,7 @@ The \textit{Waveform Scope} displays image intensity (luminance) versus image $X \begin{figure}[hbtp] \centering - \includegraphics[width=0.9\linewidth]{images/videoscope02.png} + \includegraphics[width=0.9\linewidth]{videoscope02.png} \caption{Colortest 75\% with RGB Parade (left) and Waveform (right)} \label{fig:videoscope02} \end{figure} @@ -2782,7 +2782,7 @@ The Waveform scope helps correct image light levels for contrast range or for co \begin{figure}[hbtp] \centering - \includegraphics[width=0.7\linewidth]{images/videoscope03.png} + \includegraphics[width=0.7\linewidth]{videoscope03.png} \caption{Example of waveform} \label{fig:videoscope03} \end{figure} @@ -2824,7 +2824,7 @@ Vectorscope is used as monitor with other plugins to correct color, adjust image \begin{figure}[hbtp] \centering - \includegraphics[width=0.9\linewidth]{images/videoscope04.png} + \includegraphics[width=0.9\linewidth]{videoscope04.png} \caption{Balancing a yellow dominace tint} \label{fig:videoscope04} \end{figure} @@ -2867,7 +2867,7 @@ A corrected video image is shown in the bottom. Now the red and blue colors are \begin{figure}[hbtp] \centering - \includegraphics[width=0.7\linewidth]{images/yuvshift.png} + \includegraphics[width=0.7\linewidth]{yuvshift.png} \caption{Before and after YUVShift adjusting} \label{fig:yuvshift} \end{figure} @@ -2888,7 +2888,7 @@ Figure~\ref{fig:zoom} shows the parameters: Radius=21 and Steps=3. \begin{figure}[hbtp] \centering - \includegraphics[width=0.8\linewidth]{images/zoom.png} + \includegraphics[width=0.8\linewidth]{zoom.png} \caption{For clarity of presentation only 3 fields are shown} \label{fig:zoom} \end{figure} @@ -2913,7 +2913,7 @@ Produce fractal figures (figure~\ref{fig:mandelbrot}). Use case: \begin{figure}[hbtp] \centering - \includegraphics[width=0.9\linewidth]{images/mandelbrot.png} + \includegraphics[width=0.9\linewidth]{mandelbrot.png} \caption{Mandelbrot Cuda plugin} \label{fig:mandelbrot} \end{figure} @@ -2925,7 +2925,7 @@ Produce animated particles (figure~\ref{fig:n_body}). \begin{figure}[hbtp] \centering - \includegraphics[width=1.0\linewidth]{images/n_body.png} + \includegraphics[width=1.0\linewidth]{n_body.png} \caption{N\_Body Cuda plugin} \label{fig:n_body} \end{figure} @@ -3127,7 +3127,7 @@ The following steps were used to set up the example in figure~\ref{fig:findobj}. \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/findobj.png} + \includegraphics[width=0.9\linewidth]{findobj.png} \caption{Timeline; control window and compositor for FindObj} \label{fig:findobj} \end{figure} @@ -3145,7 +3145,7 @@ The following steps were used to set up the example in figure~\ref{fig:findobj}. \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/opencv.png} + \includegraphics[width=0.8\linewidth]{opencv.png} \caption{FlowObj; GaborObj (before and after) and PuzzleObj} \label{fig:opencv} \end{figure} @@ -3156,7 +3156,7 @@ We can apply 6 different styles: \begin{figure}[htpb] \centering - \includegraphics[width=0.6\linewidth]{images/stylizeobj01.png} + \includegraphics[width=0.6\linewidth]{stylizeobj01.png} \caption{Pulldown of Stylize mode on the original image} \label{fig:stylizeobj01} \end{figure} @@ -3185,7 +3185,7 @@ Figure~\ref{fig:stylize} show the images after adding the 6 various styles. \begin{figure}[htpb] \centering - \includegraphics[width=0.95\linewidth]{images/stylize.png} + \includegraphics[width=0.95\linewidth]{stylize.png} \caption{Clockwise: Edge Smooth and Recursive; Detail Enhance; Stylization; Color and Pencil Sketch} \label{fig:stylize} \end{figure} @@ -3199,7 +3199,7 @@ Figure~\ref{fig:ffchromakey} shows what an FFmpeg video plugin looks like; examp \begin{figure}[htpb] \centering - \includegraphics[width=0.6\linewidth]{images/ffchromakey.png} + \includegraphics[width=0.6\linewidth]{ffchromakey.png} \caption{GUI for FFmpeg plugins} \label{fig:ffchromakey} \end{figure} @@ -3209,8 +3209,8 @@ Figure~\ref{fig:ffchromakey} shows what an FFmpeg video plugin looks like; examp Currently FFmpeg audio and video plugins that do not have a personalized icon use one of the default icons as shown below. -Default Audio Icon: \quad \includegraphics[height=\baselineskip]{images/ffaudio.png} -\quad Default Video Icon: \quad \includegraphics[height=\baselineskip]{images/ffvideo.png} +Default Audio Icon: \quad \includegraphics[height=\baselineskip]{ffaudio.png} +\quad Default Video Icon: \quad \includegraphics[height=\baselineskip]{ffvideo.png} If you want to replace the icon with a more descriptive picture, see a previous section on Updatable Icon Image Support and Details on where to put Plugin Icons. diff --git a/parts/Quickstart.tex b/parts/Quickstart.tex index 3420d71..e2cd3d0 100644 --- a/parts/Quickstart.tex +++ b/parts/Quickstart.tex @@ -17,7 +17,7 @@ Here you will see several Operating System distro packages that are already buil \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/packages.png} + \includegraphics[width=1.0\linewidth]{packages.png} \end{figure} However, if you want to get going as quickly as possible, just do this so that everything is in 1 place: @@ -44,7 +44,7 @@ You will now see 4 separate windows appear. The top 2 windows from left to righ \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/4windows.png} + \includegraphics[width=1.0\linewidth]{4windows.png} \caption{Clockwise: Viewer; Compositor; Resources and Main/Program/Timeline} \end{figure} @@ -59,7 +59,7 @@ On the main timeline program window are many pulldowns, the first of which is \t \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/load_files.png} + \includegraphics[width=1.0\linewidth]{load_files.png} \caption{Load media window -- note the icons top right for more options} \end{figure} @@ -105,7 +105,7 @@ You can skip this step if you want the format of your output to be the same as y \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/format_setting.png} + \includegraphics[width=0.7\linewidth]{format_setting.png} \caption{Format menu to change settings} \end{figure} @@ -125,7 +125,7 @@ You can skip this step if you want the format of your output to be the same as y \begin{figure}[htpb] \centering - \includegraphics[width=0.5\linewidth]{images/magnifier.png} + \includegraphics[width=0.5\linewidth]{magnifier.png} \caption{Effect brown bar with magnifier} \end{figure} @@ -134,7 +134,7 @@ You can skip this step if you want the format of your output to be the same as y \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/pulldown_button.png} + \includegraphics[width=1.0\linewidth]{pulldown_button.png} \caption{Menu pulldowns at the top with Transport buttons below. Note the yellow tooltips too.} \end{figure} @@ -158,7 +158,7 @@ There may be sections of your media that you want to delete, or audio that is ha \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/some_editing.png} + \includegraphics[width=1.0\linewidth]{some_editing.png} \caption{From left to right:\textit{ Audio 1} is disarmed -- BandSlide transition in \textit{Video 1} -- A highlighted section.} \end{figure} @@ -207,7 +207,7 @@ There may be sections of your media that you want to delete, or audio that is ha \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/title_color.png} + \includegraphics[width=1.0\linewidth]{title_color.png} \caption{Compositor + Title menu for setting parameters + the Color Picker.} \end{figure} diff --git a/parts/Recording.tex b/parts/Recording.tex index 6fb57e3..a2b6ce2 100644 --- a/parts/Recording.tex +++ b/parts/Recording.tex @@ -80,7 +80,7 @@ Screenshot to illustrate some appropriate settings which are described above/bel \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/recording01.png} + \includegraphics[width=0.8\linewidth]{recording01.png} \caption{Recording window with tipical settings} \label{fig:recording01} \end{figure} @@ -159,7 +159,7 @@ One other noted new feature is a new choice for recording - \texttt{V4L2 MPEG}. \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/recording02.png} + \includegraphics[width=0.8\linewidth]{recording02.png} \caption{new feature v4l2 mpeg} \label{fig:recording02} \end{figure} @@ -234,7 +234,7 @@ Figure~\ref{fig:recording03} shows the Preferences window as a good example of w \begin{figure}[htpb] \centering - \includegraphics[width=0.99\linewidth]{images/recording03.png} + \includegraphics[width=0.99\linewidth]{recording03.png} \caption{Example of the Recording settings} \label{fig:recording03} \end{figure} @@ -255,7 +255,7 @@ Figure~\ref{fig:channels01} on the left shows the Channels window and the popup \begin{figure}[htpb] \centering - \includegraphics[width=0.99\linewidth]{images/channels01.png} + \includegraphics[width=0.99\linewidth]{channels01.png} \caption{Clockwise: Channels window; Video In (behind); Recording and Scan confirm} \label{fig:channels01} \end{figure} @@ -264,7 +264,7 @@ Figure~\ref{fig:channels02} shows scanning in progress. Note the \textit{Video \begin{figure}[htpb] \centering - \includegraphics[width=0.99\linewidth]{images/channels02.png} + \includegraphics[width=0.99\linewidth]{channels02.png} \caption{Scanning in progress ($6\%$)} \label{fig:channels02} \end{figure} @@ -301,7 +301,7 @@ Figure~\ref{fig:channels03} shows \textit{Channel Info} window after the Ctrl-Al \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/channels03.png} + \includegraphics[width=1.0\linewidth]{channels03.png} \caption{Channels Info window with many TV channels buttons} \label{fig:channels03} \end{figure} @@ -331,7 +331,7 @@ Figure~\ref{fig:recording04} shows the recording of a currently running broadcas \begin{figure}[htpb] \centering - \includegraphics[width=0.95\linewidth]{images/recording04.png} + \includegraphics[width=0.95\linewidth]{recording04.png} \caption{Recording in real-time a tv weather report} \label{fig:recording04} \end{figure} @@ -345,7 +345,7 @@ Figure~\ref{fig:realtime_toc} shows the red-checked \textit{Realtime TOC} for th \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/realtime_toc.png} + \includegraphics[width=0.8\linewidth]{realtime_toc.png} \caption{Realtime TOC check red button} \label{fig:realtime_toc} \end{figure} @@ -386,7 +386,7 @@ Figure~\ref{fig:two-monitors01} shows 2 monitors (could just as well be a big-sc \begin{figure}[htpb] \centering - \includegraphics[width=0.85\linewidth]{images/two-monitors01.png} + \includegraphics[width=0.85\linewidth]{two-monitors01.png} \caption{Dual screen - initial} \label{fig:two-monitors01} \end{figure} @@ -395,7 +395,7 @@ Figure~\ref{fig:two-monitors02} shows 2 monitors with Tile right (b key) where a \begin{figure}[htpb] \centering - \includegraphics[width=0.85\linewidth]{images/two-monitors02.png} + \includegraphics[width=0.85\linewidth]{two-monitors02.png} \caption{Dual screen - \CGG{} and desktop on different screens} \label{fig:two-monitors02} \end{figure} @@ -404,7 +404,7 @@ Figure~\ref{fig:two-monitors03} shows 2 monitors with Compositor window on the 2 \begin{figure}[htpb] \centering - \includegraphics[width=0.85\linewidth]{images/two-monitors03.png} + \includegraphics[width=0.85\linewidth]{two-monitors03.png} \caption{Dual screen - \CGG{} compositor on own screen windowed} \label{fig:two-monitors03} \end{figure} @@ -413,7 +413,7 @@ Figure~\ref{fig:two-monitors04} shows 2 monitors with Compositor window on the 2 \begin{figure}[htpb] \centering - \includegraphics[width=0.85\linewidth]{images/two-monitors04.png} + \includegraphics[width=0.85\linewidth]{two-monitors04.png} \caption{Dual screen - \CGG{} compositor on own screen full screen} \label{fig:two-monitors04} \end{figure} @@ -423,7 +423,7 @@ Figure~\ref{fig:two-monitors04} shows 2 monitors with Compositor window on the 2 \begin{wrapfigure}[18]{O}{0.3\linewidth} \centering - \includegraphics[width=0.5\linewidth]{images/remote01.png} + \includegraphics[width=0.5\linewidth]{remote01.png} \caption{Ati-x10 Remote} \label{fig:remote01} \end{wrapfigure} @@ -501,7 +501,7 @@ Remote Control Keys (Application/Menu key toggle for ati-x10 remote) \end{tabular} The Application/Menu key \quad -\includegraphics[height=\baselineskip]{images/alt-ctrl.png} \quad +\includegraphics[height=\baselineskip]{alt-ctrl.png} \quad is used to get into remote control mode, even if there is no remote control hardware device in use, allowing for use of the same defined remote control keys to work on the keyboard. Once the Application/Menu key enables remote mode, the remote control keys don't allow the standard \CGG{} keys to work. \subsection{Android Remote Control for DVB}% @@ -517,7 +517,7 @@ is used to get into remote control mode, even if there is no remote control hard \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/remote02.png} + \includegraphics[width=0.9\linewidth]{remote02.png} \caption{Interface tab shows Android Remote Control} \label{fig:remote02} \end{figure} @@ -532,7 +532,7 @@ Figure~\ref{fig:remote03} shows an Android Tablet that can be used as a Remote C \begin{figure}[htpb] \centering - \includegraphics[width=0.6\linewidth]{images/remote03.png} + \includegraphics[width=0.6\linewidth]{remote03.png} \caption{A Tablet with Android Remote Control} \label{fig:remote03} \end{figure} @@ -627,7 +627,7 @@ command line from a window of \\ \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/recording03.png} + \includegraphics[width=0.9\linewidth]{recording03.png} \caption{Example of the Preferences menu with the Recording tab highlighted} \label{fig:recordingx} \end{figure} @@ -643,7 +643,7 @@ command line from a window of \\ \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/vhs01.png} + \includegraphics[width=0.9\linewidth]{vhs01.png} \caption{Example of the Recording, Video In, and Channels, along with the Add option, menus.} \label{fig:vhs01} \end{figure} @@ -659,7 +659,7 @@ There are many more parameters that you may want to vary in the Recording menu o \begin{figure}[htpb] \centering - \includegraphics[width=0.9\linewidth]{images/vhs02.png} + \includegraphics[width=0.9\linewidth]{vhs02.png} \caption{Recording menu and Video In screen while capturing media. Note the Transport stop option.} \label{fig:vhs02} \end{figure} diff --git a/parts/Rendering.tex b/parts/Rendering.tex index bfe2841..da52ef5 100644 --- a/parts/Rendering.tex +++ b/parts/Rendering.tex @@ -11,7 +11,7 @@ Use the File pulldown and select Render to start the render dialog (figure~\ref{ \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/render.png} + \includegraphics[width=0.7\linewidth]{render.png} \caption{Example of the Render menu} \label{fig:render} \end{figure} @@ -25,7 +25,7 @@ Use the File pulldown and select Render to start the render dialog (figure~\ref{ \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/render01.png} + \includegraphics[width=0.7\linewidth]{render01.png} \caption{Audio and Video tracks automatically checked for Pro file type} \label{fig:render01} \end{figure} @@ -41,7 +41,7 @@ Use the File pulldown and select Render to start the render dialog (figure~\ref{ \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/render02.png} + \includegraphics[width=0.7\linewidth]{render02.png} \caption{Render menu displaying a PNG \textit{one frame} option} \label{fig:render02} \end{figure} @@ -66,7 +66,7 @@ If you want to render many projects to media files without having to constantly \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/batch01.png} + \includegraphics[width=0.8\linewidth]{batch01.png} \caption{Example of the Batch Render menu} \label{fig:batch01} \end{figure} @@ -149,7 +149,7 @@ The \textit{Save to EDL Path} and \textit{Use Current EDL} buttons can be valuab \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/batch02.png} + \includegraphics[width=0.8\linewidth]{batch02.png} \caption{Batch render with the 4 ghosted buttons on the right side + the Warning message below} \label{fig:batch02} \end{figure} @@ -163,7 +163,7 @@ Background rendering is enabled in the \texttt{Performance} tab of the \texttt{P \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/back-ren02.png} + \includegraphics[width=0.8\linewidth]{back-ren02.png} \caption{Settings Background Rendering} \label{fig:back-ren02} \end{figure} @@ -172,7 +172,7 @@ It is often useful to insert an effect or a transition and then select \texttt{S \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/back-ren.png} + \includegraphics[width=0.8\linewidth]{back-ren.png} \caption{Timeline with the top red bar} \label{fig:back-ren} \end{figure} @@ -245,7 +245,7 @@ Below we describe the Performance tab for configuring a render farm (figure~\ref \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/farm.png} + \includegraphics[width=0.8\linewidth]{farm.png} \caption{Settings $\rightarrow$ Preferences, Performance tab, menu to set up your Render Farm} \label{fig:farm} \end{figure} @@ -417,22 +417,16 @@ These steps are for quickly setting up render farm with the least amount of addi \item Load the files by concatenate to existing track on the master node or use RenderMux shell script. \end{enumerate} -\subsection{Multi-core Computers Render Farm Setup\protect\footnote{the 'Epyc' method}}% +\subsection{Multi-core Computers Render Farm Setup}% \label{sub:multi_core_render_farm_setup} -Because index files speed up displaying the video you may want to share these files with the clients on a shared filesystem. There is a configuration option available in \texttt{Settings $\rightarrow$ Preferences}, the Interface tab, that sets up in your preferences the location of the index files which you can put on a shared disk. -Screencast below shows part of the Preferences menu where you can change the index files setup (figure~\ref{fig:index}). -\begin{figure}[htpb] - \centering - \includegraphics[width=0.8\linewidth]{images/index.png} - \caption{Index file setup for your preferred configuration for Render Farm sharing or anything} - \label{fig:index} -\end{figure} - Or, one of the convenient features of cin5 is the redirection of the path via \texttt{CIN\_CONFIG} as in: -\begin{lstlisting}[language=bash,numbers=none] -CIN_CONFIG=// //cin -\end{lstlisting} -This means that you can make project related configurations that do not impact the default \texttt{\$HOME} config. You can either export your default \texttt{\$HOME} config or the \texttt{CIN\_CONFIG} config to use on the render farm. +If you are lucky enough to have a computer with a large cpu core count, setting up a render farm +can really take advantage of using all of the cpus. This is much faster than the default automatic +threading capability. Since you don’t need to communicate with other computers, you will not have +to be concerned about TCP communication or shared disks/files. When you are going to be doing other +work simultaneously while rendering a large job, you will want to leave some of the cpus available +for that. Be sure to set “Project SMP cpus” in the Settings→Preferences, Performance tab to your +CPU count. \subsection{Troubleshooting Tips and Warnings}% \label{sub:troubleshhoting_tips_warnings} @@ -476,6 +470,19 @@ This means that you can make project related configurations that do not impact t \item Other illustrative messages may be shown such as: \texttt{RenderFarmClientThread:: run: Session finished}. \end{itemize} +And here are a couple of more tips for making Render Farm specific for your setup. +\begin{itemize} + \item Because \textit{index files} speed up displaying the video you may want to share these files +with the clients on a shared filesystem. More information on index files configuration is outlined in +\ref{sub:index_file_section}. + \item Or, one of the convenient features of Cinelerra is the redirection of the path + via \texttt{CIN\_CONFIG} as in: +\begin{lstlisting}[language=bash,numbers=none] +CIN_CONFIG=// //cin +\end{lstlisting} +This means that you can make project related configurations that do not impact the default \texttt{\$HOME} config. You can either export your default \texttt{\$HOME} config or the \texttt{CIN\_CONFIG} config to use on the render farm. +\end{itemize} + \paragraph{Warnings} If one of the render farm computers is connected to the internet, you should use a firewall to maintain the safety of all of the computers. The ports have to be reachable for the intranet but you do not want the ports to be open to the outside. @@ -519,7 +526,7 @@ There are several special parameters that can be used in the ffmpeg options file \begin{figure}[htpb] \centering - \includegraphics[width=0.6\linewidth]{images/yuv420.png} + \includegraphics[width=0.6\linewidth]{yuv420.png} \caption{Render \& Video Preset menus displaying Pixel choices} \label{fig:yuv420} \end{figure} @@ -551,7 +558,7 @@ Example: \textit{cin\_sample\_fmt=s16} \begin{figure}[htpb] \centering - \includegraphics[width=0.55\linewidth]{images/audio.png} + \includegraphics[width=0.55\linewidth]{audio.png} \caption{Render menu showing where Samples is} \label{fig:audio} \end{figure} diff --git a/parts/Stuff.tex b/parts/Stuff.tex index 59d3f76..e15b166 100644 --- a/parts/Stuff.tex +++ b/parts/Stuff.tex @@ -100,7 +100,7 @@ Figure~\ref{fig:cursor01} using the default \textit{playing} method where the fr \centering %\includegraphics[width=0.8\linewidth]{name.ext} \begin{tikzpicture}[scale=1, transform shape] - \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.6\linewidth]{images/cursor01.png}}; + \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.6\linewidth]{cursor01.png}}; \node [yshift=-21mm, xshift=-1cm,anchor=east] at (img1.north west) (Compositor) {Red cursor in Compositor}; \node [yshift=-26mm, xshift=-1cm,anchor=east] at (img1.north west) (Timeline) {red cursor in Timeline}; \draw [->, line width=1mm] (Compositor) edge ([yshift=-21mm] img1.north west); @@ -116,7 +116,7 @@ Figure~\ref{fig:cursor02} using the \textit{Always show next frame} method where \centering %\includegraphics[width=0.8\linewidth]{name.ext} \begin{tikzpicture}[scale=1, transform shape] - \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.6\linewidth]{images/cursor02.png}}; + \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.6\linewidth]{cursor02.png}}; \node [yshift=-23mm, xshift=-1cm,anchor=east] at (img1.north west) (Compositor) {White cursor in Compositor}; \node [yshift=-28mm, xshift=-1cm,anchor=east] at (img1.north west) (Timeline) {White cursor in Timeline}; \draw [->, line width=1mm] (Compositor) edge ([yshift=-23mm] img1.north west); @@ -142,7 +142,7 @@ The cause of the issue is that X11 is RGB only and it is used to draw the \texti \begin{wrapfigure}[11]{O}{0.5\textwidth} \vspace{-5ex} \centering - \includegraphics[width=0.5\textwidth,keepaspectratio]{images/color.png} + \includegraphics[width=0.5\textwidth,keepaspectratio]{color.png} \caption{Color space and Color range} \label{fig:color} \end{wrapfigure} diff --git a/parts/Tips.tex b/parts/Tips.tex index 0ed8b20..8bf579f 100644 --- a/parts/Tips.tex +++ b/parts/Tips.tex @@ -312,7 +312,7 @@ profile=high \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/render-vaapi.png} + \includegraphics[width=0.7\linewidth]{render-vaapi.png} \caption{Render menu setup to encode using GPU with vaapi} \label{fig:render-vaapi} \end{figure} @@ -446,7 +446,7 @@ If you create proxies for Nested clips they will be saved in \texttt{\$HOME/Vide There are two ways that the proxy files can be used, with or without input scaling. When the proxy is done without rescaling, the Mask, Camera and Projector automations are re-scaled accordingly. In this situation, the entire project will be re-sized so that the session is in the resized geometry. Not all plugins are useful when the project is rescaled, because the keyframe data must be in the original geometry. In this case, you can use the rescaler, by enabling \textit{Use scaler (FFMPEG only)}. This has the added advantage that the project size does not change and the proxy media is down-scaled as usual and up-scaled on read-in, which means the project editing is done in full scale. Since decoding is done on smaller video, there is a time savings, but all rendering is done full scale. The main reason for using \textit{scaler} is that it does not change the image coordinate data, so that automation and plugin parameters will be in the original project geometry. This is not as fast as the first option, but is a performance gain, and may be needed if you are using plugins that need coordinate data such as the Title plugin. As noted, the scaler only works on ffmpeg video formats. -In the upper right hand corner of the main window, there is a toggle button to easily switch back and forth when you have a proxied file on the timeline. The icon is to the left of the FF icon. It will have the letter “P” as the icon for Proxy or if \textit{Using Scaler}, the letter “S”. \quad \includegraphics[height=\baselineskip]{images/proxy-01.png} \quad This quick switch is especially useful when editing and you need to see a better image temporarily. +In the upper right hand corner of the main window, there is a toggle button to easily switch back and forth when you have a proxied file on the timeline. The icon is to the left of the FF icon. It will have the letter “P” as the icon for Proxy or if \textit{Using Scaler}, the letter “S”. \quad \includegraphics[height=\baselineskip]{proxy-01.png} \quad This quick switch is especially useful when editing and you need to see a better image temporarily. Screencast in figure~\ref{fig:proxy-02} shows the Use scaler checked so you can still use plugins and the original project size is kept. The Scale factor pull-down gives you available size options. Note the new media dimensions shown (partially covered). If the size is an odd number, 1 is added to make the dimensions both even numbers. @@ -454,7 +454,7 @@ In the case of the scaler checkbox, it will retain that setting for ease of use. \begin{figure}[htpb] \centering - \includegraphics[width=0.6\linewidth]{images/proxy-02.png} + \includegraphics[width=0.6\linewidth]{proxy-02.png} \caption{Proxy settings dialog} \label{fig:proxy-02} \end{figure} @@ -611,7 +611,7 @@ To create a specific 440 Hz tone, follow these steps. You can vary the length, \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/aeval.png} + \includegraphics[width=1.0\linewidth]{aeval.png} \caption{Use Audio$\rightarrow$Render effect to set render parameter values and then that effect can be varied.} \label{fig:aeval} \end{figure} @@ -759,7 +759,7 @@ It is important to set the $0\%$ alpha color to blue even though it is $0\%$ alp \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/ringtone.png} + \includegraphics[width=0.8\linewidth]{ringtone.png} \caption{Using the Compressor plugin graph to create a ringtone} \label{fig:ringtone} \end{figure} diff --git a/parts/Transition.tex b/parts/Transition.tex index 7dba751..0964833 100644 --- a/parts/Transition.tex +++ b/parts/Transition.tex @@ -6,7 +6,7 @@ the usual result is that the first edit's output immediately is followed by the \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/transition.png} + \includegraphics[width=0.8\linewidth]{transition.png} \caption{Resources window displaying the Video Transitions.} \label{fig:transition} \end{figure} diff --git a/parts/Windows.tex b/parts/Windows.tex index 7563810..f19e847 100644 --- a/parts/Windows.tex +++ b/parts/Windows.tex @@ -3,7 +3,7 @@ \begin{figure}[htpb] \centering - \includegraphics[width=\linewidth,keepaspectratio]{images/Fenstergrundposition-en.png} + \includegraphics[width=\linewidth,keepaspectratio]{Fenstergrundposition-en.png} \captionsetup{labelformat=empty, textformat=empty} \caption[The four windows (cc-by-sa Olaf)]{No text} \label{fig:Fenstergrundposition-en} @@ -33,7 +33,7 @@ There is a vertical scroll bar which allows for moving across tracks and a horiz \begin{figure}[htpb] \centering - \includegraphics[width=1.0\linewidth]{images/patchbay.png} + \includegraphics[width=1.0\linewidth]{patchbay.png} \caption{Patchbay | Timeline with pulldowns, navigation icons, Video/Audio tracks | bottom Zoom Panel} \label{fig:patchbay} \end{figure} @@ -167,7 +167,7 @@ checking the box on for video and off for audio. \centering %\includegraphics[width=0.8\linewidth]{name.ext} \begin{tikzpicture}[scale=1, transform shape] - \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.6\linewidth]{images/insertion-point.png}}; + \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.6\linewidth]{insertion-point.png}}; \node [yshift=-13mm, xshift=-1cm,anchor=east] at (img1.north west) (Pulldowns) {Pulldowns}; \node [yshift=-20mm, xshift=-1cm,anchor=east] at (img1.north west) (Transport) {Transport \& Buttons Bar}; \node [yshift=-25mm, xshift=-1cm,anchor=east] at (img1.north west) (Timebar) {Timebar}; @@ -214,7 +214,7 @@ Holding down the Shift key while clicking in the timeline extends the highlighte \begin{figure}[htpb] \centering - \includegraphics[width=0.4\linewidth]{images/i-beam.png} + \includegraphics[width=0.4\linewidth]{i-beam.png} \caption{I-beam + in/out + labels} \label{fig:i-beam} \end{figure} @@ -370,10 +370,10 @@ and waveforms with transluent colors. The pink media file has been self-colored \begin{figure}[htpb] \centering \begin{minipage}[h]{0.55\linewidth} - \center{\includegraphics[width=0.99\linewidth]{images/autocolor-assets_alpha0.png}} \\ a) + \center{\includegraphics[width=0.99\linewidth]{autocolor-assets_alpha0.png}} \\ a) \end{minipage} \begin{minipage}[h]{0.4\linewidth} - \center{\includegraphics[width=0.99\linewidth]{images/autocolor-assets_alpha1.png}} \\ b) + \center{\includegraphics[width=0.99\linewidth]{autocolor-assets_alpha1.png}} \\ b) \end{minipage} \caption{An example of the Autocolor assets} \label{fig:autocolor_assets_alpha} @@ -418,12 +418,12 @@ To rename a currently existing layout, use the \emph{Save layout} option again o \begin{figure}[htpb] \centering \begin{minipage}{.49\linewidth} - \center{\includegraphics[width=1\linewidth]{images/window_layout1.png}}\\ a) + \center{\includegraphics[width=1\linewidth]{window_layout1.png}}\\ a) %TODO High res image replace \end{minipage} \begin{minipage}{.49\linewidth} \vspace{13ex} - \center{\includegraphics[width=1\linewidth]{images/window_layout2.png}}\\ b) + \center{\includegraphics[width=1\linewidth]{window_layout2.png}}\\ b) %TODO Alpha channel \end{minipage} \caption{Window Layouts} @@ -541,7 +541,7 @@ For the keyboards without a numeric keypad or if you prefer to use keys closer t \begin{figure}[htpb] \centering - \includegraphics[width=0.99\linewidth]{images/compositor_window.png} + \includegraphics[width=0.99\linewidth]{compositor_window.png} \caption{Left hand side are the toolbar functions / bottom bar has many control functions} \label{fig:compositor_window} \end{figure} @@ -634,7 +634,7 @@ The Controls zoom textbox shows $\times0.82$ size. \begin{figure}[htpb] \centering - \includegraphics[width=0.99\linewidth]{images/zoom_slider.png} + \includegraphics[width=0.99\linewidth]{zoom_slider.png} \caption{Compositor window zoom slider bar and scroll bars} \label{fig:zoom_slider} \end{figure} @@ -677,7 +677,7 @@ no dialog popup menus. \begin{figure}[htpb] \centering - \includegraphics[width=0.5\linewidth]{images/safe_regions.png} + \includegraphics[width=0.5\linewidth]{safe_regions.png} \caption{Note the black outlines showing the safe regions. Also note the Ruler menu} \label{fig:safe_regions} \end{figure} @@ -757,7 +757,7 @@ the projector determines where in the output the \textit{temporary} is copied to \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/temporary-01.pdf} + \includegraphics[width=0.8\linewidth]{temporary-01.pdf} \caption{Compositing pipeline} \label{fig:temporary-01} \end{figure} @@ -768,7 +768,7 @@ modified, the final image is projected to the compositor so that you now have a \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/camera_and_projector.png} + \includegraphics[width=0.8\linewidth]{camera_and_projector.png} \caption{Color balance on Temporary} \label{fig:camera_and_projector} \end{figure} @@ -830,7 +830,7 @@ Most operations in the Compositor window have a tool window which is enabled by \begin{wrapfigure}[12]{O}{0.3\linewidth} \vspace{1ex} - \includegraphics[width=0.9\linewidth]{images/camera_tool.png} + \includegraphics[width=0.9\linewidth]{camera_tool.png} \caption{Camera and Projector tool} \label{fig:camera_tool} \end{wrapfigure} @@ -892,7 +892,7 @@ The compositing pipeline graph has a masking stage (figure~\ref{fig:temporary-02 \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/temporary-02.pdf} + \includegraphics[width=0.7\linewidth]{temporary-02.pdf} \caption{Compositing pipeline with mask} \label{fig:temporary-02} \end{figure} @@ -929,7 +929,7 @@ window is separated into various sections to make it easier to locate the area o \begin{figure}[htpb] \centering - \includegraphics[width=0.5\linewidth]{images/mask_window.png} + \includegraphics[width=0.5\linewidth]{mask_window.png} \caption{Mask options window} \label{fig:mask_window} \end{figure} @@ -1128,7 +1128,7 @@ One last note of interest, this cropping is keyframable. \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/cropped_area.png} + \includegraphics[width=0.7\linewidth]{cropped_area.png} \caption{Crop menu and outlined crop rectangle on the right side} \label{fig:cropped_area} \end{figure} @@ -1159,7 +1159,7 @@ the timebar above the transport buttons. \begin{figure}[htpb] \centering - \includegraphics[width=0.99\linewidth]{images/viewer_window.png} + \includegraphics[width=0.99\linewidth]{viewer_window.png} \caption{Viewer Window - note the green/white arrow "Play" button left of 001484} \label{fig:viewer_window} \end{figure} @@ -1245,7 +1245,7 @@ This has the effect of magnifying the interesting media in terms of the mouse po \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/timebar1.png} + \includegraphics[width=0.8\linewidth]{timebar1.png} \caption{The arrow above the green colored “play forward” transport button is on the timebar.} \label{fig:timebar1} \end{figure} @@ -1257,14 +1257,14 @@ There are either a left or right resize pointer and you can click and drag in ei \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/timebar2.png} + \includegraphics[width=0.8\linewidth]{timebar2.png} \caption{ A left-facing arrow on the right side of the blue slider bar is used to drag the bar.} \label{fig:timebar2} \end{figure} \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/timebar3.png} + \includegraphics[width=0.8\linewidth]{timebar3.png} \caption{Here you can see the right-facing arrow used to drag the other end of the slider bar. The black area between is the actual preview area.} \label{fig:timebar3} @@ -1275,7 +1275,7 @@ The selected area will move left or right as you drag and still retains the same \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/timebar4.png} + \includegraphics[width=0.8\linewidth]{timebar4.png} \caption{Note the double-headed fat arrow in the preview area used to move the selection over.} \label{fig:timebar4} \end{figure} @@ -1313,7 +1313,7 @@ Management of resource allocation is also performed here. \begin{figure}[htpb] \centering - \includegraphics[width=0.7\linewidth]{images/resource_window.png} + \includegraphics[width=0.7\linewidth]{resource_window.png} \caption{Folders are in the first column with contents of that folder on the right hand side} \label{fig:resource_window} \end{figure} @@ -1384,7 +1384,7 @@ Figure~\ref{fig:info_asset_details} shows the \textit{Detail} box to click on th \begin{figure}[htpb] \centering - \includegraphics[width=0.99\linewidth]{images/info_asset_details.png} + \includegraphics[width=0.99\linewidth]{info_asset_details.png} \caption{The “Detail” box} \label{fig:info_asset_details} \end{figure} @@ -1403,7 +1403,7 @@ Below are steps illustrating an easy way to set up a folder. \begin{figure}[htpb] \begin{minipage}{.55\linewidth} \centering - \includegraphics[width=0.9\linewidth]{images/folder_resources.png} + \includegraphics[width=0.9\linewidth]{folder_resources.png} \caption{Highlight, then click “New Media or Clips”. “Modify folder” can be used to change the name of a folder. “Delete folder” in the popup can be used to delete a folder. @@ -1415,7 +1415,7 @@ Below are steps illustrating an easy way to set up a folder. \centering \vspace{18ex} - \includegraphics[width=0.9\linewidth]{images/folder_new.png} + \includegraphics[width=0.9\linewidth]{folder_new.png} \caption{Type in your folder name in the textbox. Click OK.} \label{fig:folder_new} \end{minipage} @@ -1433,7 +1433,7 @@ Below are steps illustrating an easy way to set up a folder. \begin{figure}[htbp] \centering - \includegraphics[width=0.7\linewidth]{images/folder_master.png} + \includegraphics[width=0.7\linewidth]{folder_master.png} \caption{The “master” Media folder} \label{fig:folder_master} \end{figure} @@ -1448,7 +1448,7 @@ When you bring up the Modify folder window, if you already have files in that fo \centering %\includegraphics[width=0.8\linewidth]{name.ext} \begin{tikzpicture}[scale=1, transform shape] - \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.7\linewidth]{images/folder_modify.png}}; + \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.7\linewidth]{folder_modify.png}}; \node [yshift=-31mm, xshift=-1cm,anchor=east] at (img1.north west) (Arrow1) {\parbox{8em}{Here is the filter that was generated with the original drop }}; \node [yshift=-85mm, xshift=0cm,anchor=east] at (img1.north west) (Arrow2) {\parbox{10em}{When you click on the Value portion of that filter, the entire set of files that are covered by the filter rules pops up. Now you can highlight a target filename that you would like to remove, and just erase that line and check the green checkmark for OK.}}; \draw [->, line width=1mm] (Arrow1) edge ([yshift=-31mm] img1.north west); @@ -1474,9 +1474,9 @@ The figure~\ref{fig:modify_folder} below displays the available choices for each \centering %\includegraphics[width=0.8\linewidth]{name.ext} \begin{tikzpicture}[scale=1, transform shape] - \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.6\linewidth]{images/modify_folder1.png}}; - \node (img2) [yshift=-1cm, xshift=4cm, rotate=0] at (img1) {\includegraphics[width=0.6\linewidth]{images/modify_folder2.png}}; - \node (img3) [yshift=-1cm, xshift=3cm, rotate=0] at (img2){\includegraphics[width=0.3\linewidth]{images/modify_folder3.png}}; + \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.6\linewidth]{modify_folder1.png}}; + \node (img2) [yshift=-1cm, xshift=4cm, rotate=0] at (img1) {\includegraphics[width=0.6\linewidth]{modify_folder2.png}}; + \node (img3) [yshift=-1cm, xshift=3cm, rotate=0] at (img2){\includegraphics[width=0.3\linewidth]{modify_folder3.png}}; \end{tikzpicture} \caption{The available choices for each field} \label{fig:modify_folder} @@ -1644,7 +1644,7 @@ This is enabled for the Media/Proxy folders in icon mode when the mouse pointer \begin{figure}[htpb] \centering - \includegraphics[width=0.99\linewidth]{images/vicons1.png} + \includegraphics[width=0.99\linewidth]{vicons1.png} \caption{Note "Full Play" mode and Vicons and Aicons in Media folder} \label{fig:vicons1} \end{figure} @@ -1661,8 +1661,8 @@ Note that the horizontal line in the middle of the a-icon is yellow/red represen \centering %\includegraphics[width=0.8\linewidth]{name.ext} \begin{tikzpicture}[scale=1, transform shape] - \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.99\linewidth]{images/vicons2.png}}; - \node (img2) [yshift=0cm, xshift=2.8cm, rotate=0] at (img1.south west) {\includegraphics[width=0.3\linewidth]{images/hue_wheel.png}}; + \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.99\linewidth]{vicons2.png}}; + \node (img2) [yshift=0cm, xshift=2.8cm, rotate=0] at (img1.south west) {\includegraphics[width=0.3\linewidth]{hue_wheel.png}}; \node [yshift=-5mm, xshift=1cm,anchor=west] at (img2.east) (Arrow1) {\parbox{18em}{Color hue wheel. For illustration only}}; \draw [->, line width=1mm] (Arrow1) edge ([yshift=-5mm] img2.east); \end{tikzpicture} @@ -1722,7 +1722,7 @@ Note that if in \texttt{Settings $\rightarrow$ Preferences} under the Appearance \begin{figure}[htpb] \begin{minipage}{.69\linewidth} \centering - \includegraphics[width=0.99\linewidth]{images/preview_icon_mode.png} + \includegraphics[width=0.99\linewidth]{preview_icon_mode.png} \caption{The location of the Preview/Draw Icons mode.} \label{fig:preview_icon_mode} \end{minipage} @@ -1730,7 +1730,7 @@ Note that if in \texttt{Settings $\rightarrow$ Preferences} under the Appearance \begin{minipage}{.29\linewidth} \vspace{2ex} \centering - \includegraphics[width=0.7\linewidth]{images/line_through_mode.png} + \includegraphics[width=0.7\linewidth]{line_through_mode.png} \caption{Note the line through the mode.} \label{fig:line_through_mode} \end{minipage} @@ -1771,12 +1771,12 @@ Since the procedure varies among the distros, you will have to adapt to your spe \centering \begin{minipage}{.49\linewidth} \centering - \includegraphics[width=0.99\linewidth]{images/copy_files1.png} + \includegraphics[width=0.99\linewidth]{copy_files1.png} \end{minipage} \hfill \begin{minipage}{.49\linewidth} \centering - \includegraphics[width=0.99\linewidth]{images/copy_files2.png} + \includegraphics[width=0.99\linewidth]{copy_files2.png} \end{minipage} \caption{Example of copy file list} \label{fig:copy_files1} @@ -1803,15 +1803,15 @@ Another possible usage of this capability: \centering \begin{minipage}{.49\linewidth} \centering - \includegraphics[width=0.8\linewidth]{images/snapshot.png} + \includegraphics[width=0.8\linewidth]{snapshot.png} \caption{Snapshot menu and choices} \label{fig:snapshot} \end{minipage} \begin{minipage}{.49\linewidth} \centering \begin{tikzpicture}[scale=1, transform shape] - \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.65\linewidth]{images/grabshot.png}}; - \node (img2) [yshift=2cm, xshift=-1cm, rotate=0] {\includegraphics[width=0.07\linewidth]{images/reticle.png}}; + \node (img1) [yshift=0cm, xshift=0cm, rotate=0] {\includegraphics[width=0.65\linewidth]{grabshot.png}}; + \node (img2) [yshift=2cm, xshift=-1cm, rotate=0] {\includegraphics[width=0.07\linewidth]{reticle.png}}; \end{tikzpicture} \caption{Grabshot reticle \& orange box} \label{fig:grabshot_recticle} @@ -1907,7 +1907,7 @@ Upon clicking on the associated \textit{color ball} to the right of any keyframe \begin{figure}[htpb] \centering - \includegraphics[width=0.99\linewidth]{images/overlays_window.png} + \includegraphics[width=0.99\linewidth]{overlays_window.png} \caption{Show Overlays window on the left with the Color ball window to the right to set color} \label{fig:overlays_window} \end{figure} @@ -1917,7 +1917,7 @@ The slider is in the same color as the color coded keyframe type line which is t \begin{figure}[htpb] \centering - \includegraphics[width=0.8\linewidth]{images/overlays1.png} + \includegraphics[width=0.8\linewidth]{overlays1.png} \caption{Lines are colored here on the timeline as designated in Show Overlays} \label{fig:overlays1} \end{figure} @@ -1945,21 +1945,21 @@ Here is a list of how they work. Keep in mind that if the Expander on the patch \begin{figure}[htpb] \begin{minipage}{.29\linewidth} \centering - \includegraphics[width=0.99\linewidth]{images/overlays_list1.png} + \includegraphics[width=0.99\linewidth]{overlays_list1.png} \caption{Original Settings --- cool spot} \label{fig:overlays_list1} \end{minipage} \hfill \begin{minipage}{.29\linewidth} \centering - \includegraphics[width=0.99\linewidth]{images/overlays_list2.png} + \includegraphics[width=0.99\linewidth]{overlays_list2.png} \caption{Note Titles box hot spot } \label{fig:overlays_list2} \end{minipage} \hfill \begin{minipage}{.29\linewidth} \centering - \includegraphics[width=0.99\linewidth]{images/overlays_list3.png} + \includegraphics[width=0.99\linewidth]{overlays_list3.png} \caption{Cam/Proj XYZ toggle to fine tune} \label{fig:overlays_list3} \end{minipage} @@ -1976,7 +1976,7 @@ The visible range of the sound level meters is configurable in \texttt{Settings \begin{wrapfigure}[16]{O}{0.3\linewidth} \centering %\vspace{-4ex} - \includegraphics[width=0.5\linewidth]{images/volume_meter.png} + \includegraphics[width=0.5\linewidth]{volume_meter.png} \caption{Sound Level Meters Window} \label{fig:volume_meter} \end{wrapfigure}